亞洲女子學校
在鎮上過夜后 , 四名亞裔女學生被一個洛杉磯犯罪集團的成員綁架、虐待和。當其中一人出于對性侵犯的羞恥而自殺時, 她的三剩余的朋友就會轉向犯罪的黑社會, 訓練自己去追捕并殺死所有負責的暴徒。
在線看
同款熱播
老周夜驚情
王曉禹,麥霽雯,紀仁君,陳最,張洪銳,徐波,伊哲,阮妹陛,和善年過半百的養蜂人老周一生被金錢困擾，身患重病后不愿拖累在外打拼的兒子，獨自住進一家老舊酒店，打算在最后一夜寫下遺書，安靜告別。 可這一晚，他卻接連迎來三位不速之客：行蹤詭異的房客、鬧得雞飛狗跳的年輕人、帶著熟悉氣息的少女。 三段荒誕又驚險的奇遇，讓老周親身經歷了如同電影般的“犯罪”“鬧劇”“愛情”。他由此漸漸懂得，親情與真心，遠比金錢更加珍貴。一夜之間，他對人生、對陪伴、對愛，都有了全新的答案。
虛擬實驚
杰西卡·德·古維,托馬斯·康奎爾,TJ·鮑爾,利亞姆·格雷厄姆,普麗西拉-安妮·福德,侯宣德,莎羅姆·布龍-富蘭克仁·阿瑪瑞發明了革命性的藥品型軟件，可直接在人類大腦中創造虛擬現實，僅幾秒鐘就能體驗幾小時或幾天的激動人心的冒險。仁要拯救弟弟于記憶迷局，而合作伙伴一心只想賺取利益，但是一切都是記憶連環套……
衛兵的吶喊
米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾故事發生在塞內加爾的大型建筑工地附近，晚上工人們與一名男子發生了沖突，男子的哥哥在工地因工傷喪生。
鬼嬰廟
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad幸福的三口之家，可愛的小女孩亞美卻經常對著空氣說話，并言稱有一個無依無靠的小弟弟跟在身邊。她的舉止令父母非常擔心，而詭異的事件也相繼發生。亞美的媽媽小萍是一所高中的老師，她的學生阿波與關兒相戀。青春男女愛火正熾，無所顧忌，終于令關兒不慎懷孕。為了免去負擔與壓力，關兒最終找到無照女醫引產，這也正是他們痛苦的開始。另有一美貌女明星，適值人氣下滑，而她又因不負責任的男友不斷懷孕，人生漸漸陷入困境?！ ≡谶@些所謂時尚男女的附近，寂寞冷清的寺院內痛苦悲傷的嬰靈無助哀號。各人欠債各人還，以殺生換取的幸福終究帶著濃濃的血腥……
惡夢偵相
Yalitza AparicioFollows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster