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瘋狂舞蹈辦公室
廉惠蘭,崔成恩,崔乂園,樸浩山,白賢鎮(zhèn),安桐丘,尹善賢,申藝燦講述了獨(dú)自撫養(yǎng)女兒的公務(wù)員國(guó)熙相信完美主義是在世界上生存的唯一出路，命運(yùn)般地遇到弗拉門(mén)戈舞而展開(kāi)的故事。
亞當(dāng)·桑德勒：愛(ài)你
丹·布拉,Jonathan Loughran,亞當(dāng)·桑德勒,杰姬·桑德勒,羅伯·施奈德A new comedy special from Adam Sandler directed by Josh Safdie (making his comedy special directorial debut), Adam Sandler: Love You premieres globally on Netflix on August 27, 2024.
親陌公園
路易斯·布蘭多尼,愛(ài)德華多·布蘭科,Verónica Pelaccini,Agustín Aristarán,Manuela Menéndez,Matías Alarcón...
鬼租客
納查潘·帕拉瑪查倫羅,Aew Aumpa Phusit,波似·坡尼皮帕特·庫(kù)尼嗦,坦恩.基緹男.坎蒙功空理法密昕,馬克·納克塔赫·坎那特桑安,Boom Raweephan Siriwattana一個(gè)破產(chǎn)的平面設(shè)計(jì)師最終租了一個(gè)有著恐怖故事和神秘鄰居的房間。
左撇子女孩
蔡淑臻,馬士媛,葉子綺,黃鐙輝,陳慕義,張?jiān)赎?趙心妍,夏騰宏,林嫣一位單親母親帶著兩個(gè)女兒在鄉(xiāng)下生活數(shù)年后重返臺(tái)北，在熱鬧的夜市擺起小吃攤。面對(duì)新環(huán)境，三人以各自的方式努力適應(yīng)，既要維持生計(jì)又要守護(hù)家庭完整。當(dāng)傳統(tǒng)觀念根深蒂固的外祖父禁止左撇子小孫女使用"惡魔之手"后，這個(gè)三代同堂家庭深埋的秘密開(kāi)始逐漸浮出水面。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.