情欲世界

評分:0.6 播放:54萬 更新:2026-04-26

香港角頭大哥,雄哥與豪哥為了生意宴請好友超哥,席間超哥看中歌女小涵,小涵不從,雄哥為面子硬將小涵推殘,小涵見超哥睡去,憤而槍殺超哥。惹火雄哥,決定將其交由超哥兄弟處理,小麥與英姐為護小涵,與雄哥反目。小麥與英姐求助豪哥出面化解,豪哥請雄哥放他們一馬,雄哥不肯,二人不歡而散。夜里雄哥被小麥狙擊殺死,雄哥死后,身旁兄弟阿幫升任大哥,亦不放過小麥與英姐,但因受警方監(jiān)視,不敢妄動。阿邦利用各角頭兄弟找...   

影片推薦

同類精選

影視排行

侵略機器

約書亞·迪亞茲,阿蘭·里奇森,丹尼斯·奎德,杰·科特尼,埃塞·莫拉雷斯,杰克·派頓,丹尼爾·韋伯,凱南·朗斯代爾,大衛(wèi)·湯姆林森,史蒂芬·詹姆士,喬伊·維埃拉,杰克·萊恩,克里斯托弗·卡比,詹姆斯·博福特,Matt Testro,Victory Ndukwe,Blake Richardson,Jacob Hohua,Heather Burridge,Will Curtin

在美國陸軍游騎兵選拔的最后階段,一支精英團隊的訓練演習變成了與一種難以想象的威脅之間的生存之戰(zhàn)。

沖破鐵幕

保羅·紐曼,朱莉·安德魯斯,麗拉·柯卓娃,漢斯約格·費爾麥

  邁克爾(保羅·紐曼 Paul Newman 飾)是一位非常優(yōu)秀的火箭科學家,同時也是國家重點保護的珍貴人才。莎拉(朱麗·安德魯斯 Julie Andrews 飾)是邁克爾的助手,同時也是他的未婚妻,某日,兩人共同前往哥本哈根,去參加在那里舉辦的研討會。  在哥本哈根的日子里,邁克爾的行為舉止表現(xiàn)的非常的怪異,就連向來能夠理解他的莎拉都感到百思不得其解,他的所有詭異行為只有一個解釋,那就是他要背叛自己的國家,逃往東德。為了弄清楚事情的真相,莎拉開始了對于邁克爾的調查,哪知道最終,莎拉選擇了和邁克爾一起叛逃。這對夫妻的行為背后,有著不為人知的目的。

弗蘭肯斯坦的新娘

Sev Philippou,Nick Launchbury,Vincent Donato

在弗蘭肯斯坦怪物結婚的那天,村民們暴動并殺死了他。他的新娘逃跑了,發(fā)誓要報復負責的市民,并最終復活了怪物——在她身后留下了血跡。

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.