修道院的故事 Interno di un convento (1978)

? 6.8 播放：53萬 2026-04-28

為了保持家族的榮耀，貴族們將自己的女兒送入修道院，以修身養性。這些修女們都出身于佛羅倫薩最富有的家庭，她們心懷對外界的渴望，卻被投入了修道院這個牢籠之中。她們強烈反對父母的不公平對待，只能在愛情中尋求安慰。因此，修女們設法滿足自己的欲望。 年老的修女院長試圖阻止修女們沉溺于欲望之中，但是禁令無法起到實質性的作用，因為修女們私下里大多都有自己的情人。院長會在修女們不在房間的時候進行搜查，一旦發現與上帝不忠的跡象，就會對她們進行懲罰。大部分修女都很年輕，對修道院的生活感到厭倦，日常生活單調無味。因此，禁欲和清規戒律引發了她們內心的仇恨，最終導致了悲劇的發生。

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? 播放 修道院的故事 Interno di un convento (1978)

劇情提要

為了保持家族的榮耀，貴族們將自己的女兒送入修道院，以修身養性。這些修女們都出身于佛羅倫薩最富有的家庭，她們心懷對外界的渴望，卻被投入了修道院這個牢籠之中。她們強烈反對父母的不公平對待，只能在愛情中尋求安慰。因此，修女們設法滿足自己的欲望。 年老的修女院長試圖阻止修女們沉溺于欲望之中，但是禁令無法起到實質性的作用，因為修女們私下里大多都有自己的情人。院長會在修女們不在房間的時候進行搜查，一旦發現與上帝不忠的跡象，就會對她們進行懲罰。大部分修女都很年輕，對修道院的生活感到厭倦，日常生活單調無味。因此，禁欲和清規戒律引發了她們內心的仇恨，最終導致了悲劇的發生。

幕后花絮

正人君子2024

達到合格率99%，顧客滿意度100%的自薦書代筆人寶允，聲名大噪的她本人卻在為公務員考試而煩惱，在超市打工的她每天都過得非常不如意。為了就業被意想不到的事件所糾纏。寶允的人生漸漸陷入無法控制的困境

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.