三級七日情
上海國家醫-廠新出產一種新-，并派代表翁雄（翁世杰 飾）來港尋尋代理商，陳氏及黃氏兩大公司為爭取獨家代理權，莫不極盡巴結之能事討好翁雄；其鈡陳氏公司的曹軍（曹查理 飾）更掌握到翁雄xing好漁色的弱點，帶著翁雄走訪全港的艷窟與綠燈戶，不但讓祂飽嘗美色，更得到至高無上的樂趣。 曹軍帶翁雄在夜總會認識了瑪利（陳穎芝 飾）、阿蓮（村上麗奈 飾）、夢露（顧杰 飾）三名美釹，翁雄對三釹一見如故；因翁雄留港的簽證有七天，為了擺脫黃氏的糾纏，陳氏特別安排曹軍陪翁雄及一干美釹坐游艇出海耍玩，二侽三釹在碧海藍天丅悠游自在，歡樂得不得了！
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地震之后電影版
岡田將生,鳴海唯,渡邊大知,佐藤浩市,橋本愛,唐田英里佳,吹越滿,黑崎煌代,堤真一,黑川想矢,井川遙,澀川清彥,津田寬治,錦戶亮,能年玲奈本作由井上剛擔任導演，與NHK四月播出的劇集《地震之后》共享故事框架，同時新增場景重新剪輯而成。該片基于村上春樹短篇小說集《神的孩子全跳舞》中四則短篇，講述關于喪失與重生的故事。描繪1995年阪神淡路大地震后，四個在不同時代與地域背負孤獨生存之人的命運交織，最終與當下產生聯結的歷程。
西關大屋
娜仁花,鄔靖靖,李琦廣州末代西關小姐潘夢蝶，曾是一位絕代佳人，如今住在西關大屋中。在將近一個世紀的時間長河里，她堅守著自己的愛情，堅守著家族的秘密，堅守著屬于她自己的祖屋……社區民警馬思鵬是一位身手矯健、頭腦聰穎、樂于助人的人民警察。他接到了一樁名為“代號西關小姐”的涉毒案件。在調查的過程中，馬思鵬結識潘夢蝶及其后人葉伊西。隨著案件的深入，許多不為人知的秘密隨之解開，一場關于警民、親情、血緣等復雜情感的生死較量即將展開……
佐藤妻夫物語
岸井雪乃,宮澤冰魚,藤原櫻,三浦獠太,田村健太郎,前原滉,山本浩司,八木亞希子,中島步,佐佐木希,田島令子,柳原晴郎佐藤保和佐藤幸性格截然不同卻莫名投緣，一路從相識交往走到結婚生子。保曾多次參加司法考試卻屢屢落榜，沒想到陪他備考的幸卻先通過了考試，成為了職業律師。一邊是邋遢的律師妻子，一邊是被育兒壓得喘不過氣的落榜丈夫——這對夫妻之間維持著微妙的平衡，在歡笑與心酸中勾勒出一段真實的愛情故事。本片主演為憑借《惠子，凝視》獲得第77屆每日電影最佳女主角的岸井雪乃，以及憑借《利己主義者》獲得第78屆每日電影最佳男配角的宮澤冰魚。兩人的默契演繹為影片注入真實的情感張力，折射出現代社會中人與人之間的溝通困境，探討了人們與“他人”之間的理解與妥協。
斗爭之日
楊子英,拉迪卡·艾普特,納威恩·安德利維斯,梁振邦,托比·華萊士,席亞拉·博拉沃,Marny Kennedy,克萊爾·普萊斯,奧拉米德·坎迪德-約翰遜,Dieudonne? Ngabo,Samson Coulter,阿什·亞斯本切克,Ali Fardi,Ash Barba26歲的約翰·艾倫·周決心完成自己的人生使命，他踏上了一場橫跨全球的危險征程，試圖讓北森蒂納爾島那些與世隔絕的部落族人皈依基督教。與此同時，安達曼群島的一名警探正爭分奪秒地想要阻止他，以防他對自己或這個部落造成傷害。 影片改編自真實故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
巴黎諜影
約翰·特拉沃爾塔,喬納森·萊斯·梅耶斯,卡夏·斯穆特尼亞克,梅麗莎·瑪斯,Richard Durden,Bing Yin,艾波·羅絲·雷瓦,艾力克·高敦,Fran?ois Bredon,Chems Dahmani,Sami Darr,Julien Hagnery,穆斯塔法·斯提提,麗貝卡·達揚,Micha?l Vander-Meiren,Didier Constant法國青年瑞斯（喬納森?萊斯?梅耶斯 Jonathan Rhys Meyers 飾）在大使館中工作，同時他還是美國情報部門的見習人員，精明強干的瑞斯對“換車牌”，加竊聽器之類的任務自然是駕輕就熟，但是他很快迎來了真正的挑戰——配合探員瓦克斯（約翰?特拉沃塔 John Travolta 飾）在巴黎的行動。 瓦克斯作風強硬，舉止粗暴。恍如漫畫中走出的美國英雄，甫一下飛機，便咬住了毒品的線索一路大開殺戒，先后與華人、巴基斯坦和黑人幫派連番激戰……瑞斯對神奇的瓦克斯目瞪口呆之余，也漸漸跟上了他的節奏。任務接近尾聲之時，兩人意外發現瑞斯居然也是恐怖分子的目標人物之一，原來恐怖分子們以瑞斯為突破口，試圖刺殺赴法訪問的美國高官，于是這對臨時搭檔，迅速整備出發……