劇情簡介
一對夫婦試圖挽救自己的婚姻，而他們的房客發(fā)現(xiàn)她的欲望。
為你推薦
異形終結(jié)
彼得·威勒,羅伊·迪普伊,詹妮弗·魯賓,安德魯·勞厄爾,邁克爾?卡洛茲,杰森·卡弗利爾,萊尼·帕克,布魯斯·博阿,查爾斯·鮑威爾,Liliana Komorowska,Tom Berry,Henry Ramer故事發(fā)生在遙遠(yuǎn)的2078年，礦業(yè)組織NEB在天狼星6B行星上發(fā)現(xiàn)了名為“Berynium”的元素，該元素蘊含著巨大的能量，可以用來充當(dāng)能源使用。組織派遣了一批礦工前往行星進(jìn)行能源開采，然而工人們很快就發(fā)現(xiàn)，Berynium擁有強(qiáng)烈的放射性，根本不適合使用。雖然礦工們強(qiáng)烈要求停止任務(wù)，但組織卻不為所動，無奈之下，礦工們自發(fā)的組成了“聯(lián)盟”，和組織之間開始漫長的對抗。為了抵擋組織的猛烈攻擊，聯(lián)盟研制出了小型機(jī)器人“Screamer”，它擁有敏捷的身手和強(qiáng)大的攻擊力，給敵方造成了巨大的傷害。然而，聯(lián)盟并不知道的是，在不知不覺間，機(jī)器人們已經(jīng)進(jìn)化出了自我意識，想要成為這顆星球上的主宰者。
一條道走到黑
甄偉,石峰,陸明明,古麗米熱艾尼瓦爾,禹帆,德吉次仁,李書雅,蔣雯旭,米熱,于山川一個三十多歲的男子在大城市謀生，為了走出混亂的生活，無意識地想象出一個幻想與現(xiàn)實并存的世界。
恐龍·怪鳥的傳說
渡瀬恒彥,林彰太郎,沢野火子,津島智子,牧冬吉『ジョーズ』を発端にしたパニック映畫ブームにあやかり東映が発表した作品。富士五湖の中でも地味な西湖、精進(jìn)湖を舞臺に、一大スペクタクルが展開する。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瀟灑先生
鄭則仕,關(guān)之琳,戚美珍,張國強(qiáng),樓南光,柏安妮,焦姣,成奎安,陸劍明,曹建南,龍?zhí)焐?劉錫賢,葉偉信,勞劍華,黃一飛,許英秀,劉玉婷,許思敏,陳穎芝 ,黃雄瀟灑是一個船員，整天在海上漂泊，一去就是幾個月，他的媽媽和小妹阿珍都很擔(dān)心他。一天，瀟灑回到家，妹妹非常驚喜，可是他的媽媽并不開心，覺得他沒有出息。瀟灑很是委屈，于是借酒消愁。阿珍和她的媽媽靠開小店為生，每天，早晨都有很多出租司機(jī)來照顧她們的生意，其中有一位司機(jī)阿光對阿珍有意思，經(jīng)常來幫助她們。一天，政府通知他們，房子半年后要撤，但是他們一時又拿不出錢去買新的房子，為了籌錢，于是一家人在阿光的幫助……
飛機(jī)和火山
迪恩·凱恩,羅賓·吉文斯,勞倫斯·希爾頓-雅各布斯,Mike Jerome Putnam,Michael William Hunter,Laura Alexandra Ramos,Natalie Burtney當(dāng)一架客機(jī)困在一堆噴發(fā)的火山中時，乘客和機(jī)組人員必須設(shè)法求生——在不降落的情況下。但在巖漿和火山灰的持續(xù)打擊下，機(jī)上的人產(chǎn)生了恐懼和不信任，威脅生命的不只是火山，人人必須學(xué)會合作，才能在火海飛行中活下去……
一條道走到黑
甄偉,石峰,陸明明,古麗米熱艾尼瓦爾,禹帆,德吉次仁,李書雅,蔣雯旭,米熱,于山川一個三十多歲的男子在大城市謀生，為了走出混亂的生活，無意識地想象出一個幻想與現(xiàn)實并存的世界。