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真犯
宋清晨,柳善,張赫鎮,吳珉錫,鄭海鈞,韓秀妍,鄭熙泰,申賢德,尹頌雅,張英,俊賢淑愛情坐標
凱莉·羅蘭,馬索·曼恩,Chris Kapeleris,亞歷桑德拉·卡斯蒂略,梅蘭妮·利什曼,羅賓·席德,安妮·岡薩雷斯,大衛·皮納德,Nck Name,丹尼爾·馬力克, 卡洛斯·岡薩雷斯-維奧,Elena Khan,Melissa Bray,Ava Blackwood,Connie Manfredi,Ronald P Boone Jr.,Cynthia Menard,Arabella Williams,安德·雷特爾,Hannah Yohannes我的朋友安德烈
劉昊然,董子健,殷桃,韓昊霖,遲興楷,董寶石,寧理,雷佳音,章若楠,張宥浩,薛寶鶴互幫互助
黑木華,中村蒼,藤間爽子,安藤玉惠,近藤華,白鳥玉季,吉岡睦雄,松本利夫,升毅,西田尚美,田口智朗,風吹淳,草笛光子暗夜良人
何乙軒,李運佳,周舟,黃娟,楊坤銳,李延,王淵,王正佳,劉錦,李一明,張依珂,季李,田雨,周小鵬,許之糯,呂一丁,張京海,徐福來,常征,孔慶三,邊防,杜伯,蘇強,王俊潾,高果,孫博,劉建軍,梅景洪,李少林,高玉林,張業福,蘇佳男,楊瑞承,吳梓銘,田甲右,劉欣剛,岳陽懷舊者
朗貝爾·維爾森,薩繆爾·喬斯林,Scott Hinds同類推薦
國寶2025
吉澤亮,橫濱流星,渡邊謙,高畑充希,寺島忍,田中泯,森七菜,見上愛,永瀨正敏,黑川想矢,三浦貴大本片改編自吉田為了采訪3年,穿著歌舞伎的黑衣進入后臺的經驗而寫出的長篇小說,出生于任俠一門、投身于歌舞伎世界、將青春獻給演藝之路的喜久雄,賭上自己的生命去追求無盡的夢想的宏偉故事:舞臺是從戰后到高度經濟成長期的日本。出生于任俠家族的喜久雄,遭遇了數奇的命運,被拽到歌舞伎演員的家中。不久后,在動蕩的人生中,他作為歌舞伎演員的才能開花結果。
德國懸案事件簿:失蹤警探
羅蘭·維斯內克,梅克·德羅斯特,馬克·本杰明·普赫一天清晨,刑警驚覺自己的搭檔失去了音訊。事實上,搭檔在夜晚返家的途中,意外目睹一起犯罪行為。不料現場突然發生提款機爆炸,她身受重傷,隨即被犯人綁走。
清算
高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,張榮祥 Cheung Wing-Cheung,屈剛,張媛鈺,賈天明,景樂,韓則怡 Zeyi Han,武岳 Yue Wu,張懷公,洪子龍 Zilong Hong,劉浩嵐 Haolan Liu,劉開心 Kaixin Liu黃浦江畔,殺機四伏,規則是否能由“她”重寫?刀光里是黑幫的血腥,陰影下是性別枷鎖的崩裂——多年銀幕未見之大女主暴力爽片。 臥龍幫少主武青青,家族遭戮,自身遭叛,從獵物化身獵手;她隱于暗處,每一張笑臉背后,都可能藏著致命的匕首,日本商會登堂入室,內鬼隱匿于至親之間,無間道中再掀無間,信任是奢侈品,每一步都是懸崖!她將如何撕下那一張張虛偽面具?奸,是叛幫之徒,是入侵之敵,還是枕邊之人? 風暴已至,“除奸”成為唯一信條……
羅薩里奧
大衛·達斯馬齊連,何塞·祖尼加,艾米莉亞·福徹,保羅·本-維克托,埃默羅德·圖比亞,尼克·巴拉德,戴安娜·萊茵,Indhira Serrano,盧納·巴克斯特,Guillermo García,康斯坦薩·古鐵雷斯,加瑪爾·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos蘿賽李奧(埃默羅德·圖比亞 飾)是一名成功的華爾街股票經紀人。某天,蘿賽李奧接到祖母意外過世的消息,于是前往祖母居住的公寓查看狀況。因為暴風雪的關系,蘿賽李奧被迫與祖母的遺體共度一夜。這時,一股邪惡力量占據了祖母的遺體,蘿賽李奧成為家族世代流傳詛咒的目標……。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster