劇情簡介
高中女生鳴島愛(伊藤かな 飾)生活在一個破敗的家庭,父親與情人離家出走,母親終日酗酒,以淚洗面;而學校中小愛又離群索居,沒有知己。在前往香港的修學旅行中,小愛深夜外出,結果遭遇當地的出租車司機阿寶(何華超 飾)。阿寶獨自住在荒郊野外的大房子中,他將小愛綁回家里囚禁起來。在異國他鄉,小愛開始禁閉的生活。然而從最初的激烈反抗,這兩個語言不通的人兒漸漸觸摸到彼此心中那份孤獨與哀傷。小愛不再試圖逃跑,而是心甘情愿享受著這份愜意的田園生活 本片根據松田優作的遺孀松田美智子的原作改編,系;完全飼育 ;系列的第三部。
為你推薦
密林深處
伊希爾·勒·貝斯柯,納威爾·佩雷茲·畢斯卡亞特,馬修·西莫內,Jér?me Kircher,Bernard Rouquette,Jean-Pierre Gos,Luc Palun,讓-克勞德·古盧姆伯格,Jean-Marc Stehlé,Yvette Peyremorte故事發生在1865年的法國南部,流浪漢狄默提(納威爾·佩雷茲·畢斯卡亞特 Nahuel Pérez Biscayart 飾)來到了這里,為了避人耳目,他假裝自己是聾啞人,在這里的一座小村莊中住了下來。在村子里,狄默提邂逅了名為約瑟芬(伊希爾·勒·貝斯柯 Isild Le Besco 飾)的女子,美麗善良的約瑟芬一下子就吸引了狄默提的注意。 約瑟芬的父親休斯(讓-克勞德·古盧姆伯格 Jean-Claude Bolle-Reddat 飾)是一個熱情好客的男人,他慷慨的邀請狄默提來家里做客,可休斯的善意卻并沒有得到狄默提的回報。狄默提用一種古老而又邪惡的方法催眠的約瑟芬,將她帶進深山老林之中肆意凌辱。
驚魂繡花鞋
何乙軒,劉漢兆,輝燦,周昕妤,郭亞菲,郭玉英,賈明瑛一雙繡花鞋,隱藏著一個死亡詛咒,凡是穿過繡花鞋的人都意外慘死,無一幸免。安雯(何乙軒 飾)大病未愈,擺脫了丈夫潘航(輝燦 飾)和醫生的看護,獨自逃回老家古宅生活。安雯在老宅發現了一雙祖上流傳并受到死亡詛咒的繡花鞋,陰差陽錯之下繡花鞋穿在了她的腳上,意外開啟了繡花鞋上的死亡詛咒。咒怨生效冤魂索命,盤桓在老宅之中的詭影無處不在,無法擺脫的惡靈如影隨形,迫使頻臨崩潰的安雯做出瘋狂的舉動,陷入一場危機四伏的驚魂逃亡……
狂野時代
易烊千璽,舒淇,趙又廷,李庚希,黃覺,陳永忠,郭沐橙,張志堅,曾美慧孜,閆楠影片講述“迷魂者”(易烊千璽 飾)通過體驗視覺、聽覺、味覺、嗅覺、觸覺五感,跨越一個世紀的故事。而“大她者”(舒淇 飾)則好似是打開“迷魂者”故事的鑰匙......
不明影像:絕對點擊禁止
樸寶英,周元,江星在網絡監查科兼職的大學生俊赫,為了和生氣的女友世熙(樸寶英 飾)重歸于好,轉而求助于女友的妹妹——高中女孩靜美。靜美是一個沉迷以來網絡的時尚女孩,她答應幫助俊赫,條件是俊赫能幫她找一些網上封禁的稀奇古怪的視頻。萬般無奈,俊赫只得幫忙尋找,誰知卻意外下載到一段詭異的視頻。這段視頻每次的文件名每次都會改變,每次打開后也會呈現不同的內容,甚至在看完之前都無法關閉。倒霉的靜美似乎恰恰碰上了那個傳說中的詛咒視頻,在此之后,她的周圍接連發生詭異事件。 網絡時代帶來便利,也衍生了假象與罪惡,通往地獄的大門慢慢開啟……
生還2025
邵正一,周思羽,周云鵬,彭禺厶,徐勵,邱健,侯佳音,徐雅惠,劉頔,李昕廷 ,王天心 ,李夢瑤,梁頌晴,段秋鈺,景天曈,寇文琦,劉政杰,朱宏嘉,曹衛宇,馬國偉,楊奇鳴,逯長恩,苗博,鄭好,張宏威,葉福生,何熙維,王俏,翟赫本片以紀實風格再現了1938年到1945年抗日聯軍第六軍被服廠女兵,傷兵醫院傷兵組成的留守團在主力部隊西征后堅持在老游擊區牽制敵人主力,于重重圍剿中突圍,進入蘇聯整訓,整編為抗聯第88教導旅打回東北的真實故事。 影片透過12歲女戰士李童的視角,塑造了耿團長、裴大姐、白連長、金玉希、李亦奇等一批普通抗聯男女戰士在突圍中拼死互相保護,犧牲、被俘、最終生還的殘酷歷程。 本片改編自最后一個離世的抗聯女戰士李敏撰寫的回憶錄。 這是第一次用電影方式講述了抗聯后期從突圍到整編為教導旅再到打回東北的全過程。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無跡之人
喬恩·沃伊特,Adam Woodward,馬爾頓·索克斯,夏洛特·維嘉在一個陌生的城市醒來,一個對自己是誰沒有記憶的人必須面對自己身份的謎團。但他不顧一切地尋找自己的過去,使他與強大的敵人對抗,導致一場決戰,這將決定他的命運并揭示他的真實身份。——哥斯拉