人頭豆腐湯

6.0 播放:86萬 更新:2026-04-22

舞女Kitty (三十歲),既爛賭,更染上毒癮,致令其男友大失所望棄之而去。其后Kitty遇上了同是癮君子的財(男三十六),二人臭味相投,結伴同居。一日,財發(fā)現(xiàn)Kitty失蹤,找了半天仍未有結果,急如熱鍋上的螞蟻。原來Kitty因欠大耳窿杰哥兩萬多元毒品錢,拖欠多天,終被杰抓到。杰隨Kit...

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劇情賞析

舞女Kitty (三十歲),既爛賭,更染上毒癮,致令其男友大失所望棄之而去。其后Kitty遇上了同是癮君子的財(男三十六),二人臭味相投,結伴同居。一日,財發(fā)現(xiàn)Kitty失蹤,找了半天仍未有結果,急如熱鍋上的螞蟻。原來Kitty因欠大耳窿杰哥兩萬多元毒品錢,拖欠多天,終被杰抓到。杰隨Kit...

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遲來的憤怒

安東尼奧·德·拉·托雷,路易斯·卡葉赫,露絲·迪亞斯,勞爾·希門尼斯,曼諾羅·索洛,馮特·加西亞,皮拉爾·戈麥斯,艾麗西婭·魯維奧,蓋茲卡·阿達納斯,馬丁·盧納,查尼·馬丁,恩里克·德拉托雷,茵瑪·桑喬,帕科·本杰梅亞,貝爾塔·埃爾南德斯

  威尼斯的地平線單元中,出現(xiàn)了這樣一部電影,不扯人性,“三觀”卻正到讓人大呼過癮,這就是講述了一個干脆利落的復仇故事的西班牙電影《遲來的憤怒》。  影片講述了一個男人為了替在搶劫案中慘死的女友和變成植物人的老爸報仇,潛伏八年,甚至睡了搶劫團伙司機的孩子他媽,只為等他出獄,威脅他,順藤摸瓜找到躲藏起來的真兇們,一個一個復仇。

鬼們之蝴蝶大廈

尹馨,曹佑寧,馮淬帆,白潤音,蔡振南,莊凱勛,安心亞,曾莞婷

  陳薇(尹馨 飾)帶著女兒(林采潔 飾)為躲避家暴的丈夫住進有自殺勝地之稱的蝴蝶大廈后怪事頻傳。管理員梁伯(馮淬帆 飾)和頂樓的廟公山叔(蔡振南 飾)不斷提醒她這一層樓不太干凈,如果有能力還是盡快搬走,但是經(jīng)濟拮據(jù)的她暫時只能棲身于此。各種三教九流的鄰居、雜貨鋪有陰陽眼的自閉癥男孩阿弟(白潤音 飾),還有那間被再三交代禁止靠近的613號房,一切都令陳薇感到詭異莫名。外表陽光的代班管理員小梁(曹佑寧 飾)對獨立堅強的陳薇照顧有加,經(jīng)常借故上門幫忙維修家電,陳薇女兒看到他來也會難得露出微笑。正值鬼門開時,蝴蝶大廈內意外頻傳,甚至發(fā)生許多靈異事件,但老住戶們似乎已經(jīng)習以為常。陳薇原本是想帶女兒逃離丈夫,不料卻將自己卷入更大危機之中...

新·胡鬧將軍

松平健,西畑大吾,生瀨勝久,高島禮子,藤間爽子,小澤征悅,勝村政信,小野武彥,木村了,駒木根葵汰,內藤秀一郎,神威樂斗

 這次特別篇的舞臺,是吉宗治世20多年后的江戶城。原創(chuàng)系列中年輕的將軍吉宗也面臨著六十大壽的繼承問題。劇中保留了系列的世界觀和魅力,在繼承問題上搖擺不定的吉宗和江戶城內的人們的模樣,以及在城下町發(fā)生的陰謀漩渦的疑難事件,將被加入新的角色和時代性來描繪。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

作惡者

Melanie Liburd,Kiah McKirnan,Ireon Roach

在她18歲生日那天,堅強的女孩喬尼吃了一個由她的阿姨根據(jù)一個神奇的家庭食譜烤的蛋糕,并經(jīng)歷了一個徹底的變形。隨著幾個同學失蹤,一個血腥的成長故事發(fā)生了。

百日孤獨

伊萬·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅

  外星人侵占了地球,人們被迫逃到地底下的巨型地堡避難。S.U.M.1是一個忠誠的戰(zhàn)士,他被送到地面上來拯救幸存者并每天匯報情況。他的任務就是守衛(wèi)人類的自我防御區(qū)不讓外星人靠近,然而這每天的例行任務卻逐漸成為他的噩夢,令人恐懼的聲音在樹林里回蕩;基地每日都受到頻繁的攻擊;塔內的電力供應出現(xiàn)故障;修理工卻遲遲不出現(xiàn)。他的上司也從未告訴過他有關上一任的事。孤獨感與妄想癥慢慢侵蝕了他的理智。難道外星人真的埋伏在森林里嗎?還是S.U.M.1已經(jīng)被折磨到精神錯亂了?