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哈佛少女的快樂清單
蓓爾·波利,內森·連恩,加布里埃爾·伯恩,瓦妮莎·貝爾,科林·奧多霍諾,杰森·雷特,威廉·莫斯里,戴斯敏·博格斯,普娜·賈甘納坦,扎卡里·因凡特,安迪·布斯蒂羅斯,瑪哈蕾·赫沙姆,喬爾·邁克利,斯科特·啟治·武田,科妮莉亞·格斯特四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛·萊爾,邁克爾·伯恩,羅尼·福克斯,帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里陌生人:第三章
瑪德萊娜·佩切,理查德·布雷克,賈妮斯·埃亨,Stephanie Aubertin,凱爾·布瑞特科夫,Jake Cogman,Krystal Ellsworth,漢娜·高威,喬爾·拉貝爾,布萊恩·勞,帕布洛·桑德斯特羅姆,蕾切爾·申頓,吳宇衛逆轉劫局
烏戈·席爾瓦,埃瑪·蘇亞雷斯,娜塔莉·波薩,巴巴拉·戈納加,丹尼爾·佩雷茲·普拉達,蘇珊娜·阿巴圖納·戈麥斯,坎迪多·烏蘭加,Alexandra Prokhorova,Richard Sahagún,費爾南多·阿爾比祖千億之吻
段天恩,黎春進,麻蘭都,秋莊,范進祿活著
葛優,鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順同類推薦
暗杠
梁爽,李正國民國中后期,官僚腐敗,道德滑坡,民生環境日益惡化。亞細亞建筑公司老板王大偉等人為了謀取私利,在工人勞保和保險上違規節省成本,導致工人意外身亡,該工人妻子在王大偉等人打麻將的茶館進行秘密復仇……
狂犬病1977
瑪麗琳·錢伯斯,弗蘭克·穆爾,喬·西爾弗,霍華德·雷什潘,帕特麗夏·蓋奇,蘇珊·羅曼,Roger Periard,Lynne Deragon,Terry Schonblum,Victor Désy,Julie Anna,Gary McKeehan,Terence G. Ross,米格爾·費爾南德斯,Robert O'Ree,艾倫·莫伊爾,Malcolm Nelthorpe,瓦拉斯塔·瓦拉納,彼得·麥克內爾,Una Kay,Robert A. Silverman,Isabelle加拿大導演戴維.克羅南伯格執導的本片,主要描寫駭人聽聞的瘋狗病,受傳染的人會口吐綠液,雙眼發光,并且見人亂咬,幾個小時后即不治而亡。美國著名的“性”星瑪里琳.查姆伯絲扮演的羅絲小姐幼時曾患過瘋狗病,因車禍受傷引起病毒復發,腋下竟然不可思議地長出一個嘴巴,而且內有一個可伸縮自如的肉刺,專用來插到別人身上吸血。于是,她在一個接一個吸別人血的同時,也把瘋狗病迅速傳播,使城市瞬間成為瘋人滿布的人間地獄…… 影片評價 僅僅就身體變異而言,克隆伯格的獨特之處在于處處不忘對色情幻想進行扭曲,無論是《狂犬病》(Rabid)中女主角必須由腋下長出一只陰莖來對其陰道作出支撐,還是《錄像帶謀殺案》(Videodrome)中男主角長出陰道般的裂口,都是這種扭曲的必然,連錄像帶的轉子,都像雙乳一樣扭動。《錄像帶謀殺案》其實還有一個原來設想的結局,就是一男(男主角麥克斯)兩女(尼基和卞卡)合體,同時以各自的變異性器官相互絞纏吞噬。在《赤裸的午餐》(Naked lunch)中,那個最終撕開男性外皮露出女體乳房的總裁如果還不夠刺激,等你意識到她的裝束是女同施虐的標準配備,就會有格外的顫栗。
黃金七令之羅剎風云
任子豪,何雨宸,李子雄,李家辛,徐俊,謝昌定,朱翔,曹憶,錢婧睿,張宸彬,高迦瀾,曾慶生,范奇《七令詭事錄》是由徐俊、高悟翔執導,任子豪、何雨宸、李家辛、袁祥仁,徐俊、 領銜主演,劉碩、張宸彬、朱翔、胡建偉、李平安、錢婧睿、曹憶等出演的驚悚、懸疑、恐怖片。 該片講述江湖豪俠薛氏兄妹,薛小風和薛小花被人陷害被卷入掏心慘案中,隨著黃金七令浮出水面,薛氏兄妹聯手警察局總探長段廣龍,將黃金七令背后的秘密一層層揭開。
致我的青春
Theo Camillo Taslim,Fendy Chow,Agus Wibowo好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster