香港淪陷 香港淪陷
故事發(fā)生在1941年，香港上下被戰(zhàn)爭的陰影籠罩著，唯利是圖的商人開叔（羅家英 飾）有三個女兒信弟（葉玉卿 飾），望弟（邱淑貞 飾）和愛弟（陳少霞），窮兇極惡的繼母不喜歡信弟和望弟，因為她們并非她所生。思想開放的望弟喜歡隔壁的先進青年沈放（庹宗華 飾）多年，當她發(fā)現姐姐信弟也對沈放情有獨鐘時，在親情和愛情之間，她陷入了兩難的境地。 十二月二十五日那一天，香港淪陷了，日軍的鐵蹄蹂躪著港內的每一寸土地，也蹂躪著每一個港人的心。社會陷入混亂，銀糧分外短缺，為了自保，開叔做了漢奸，他甚至親手將信弟送往了日本人的手中，以此博得信任。
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異塵余生：尸鬼圣誕節(jié)
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如何大賺一筆
格倫·鮑威爾,瑪格麗特·庫里,杰西卡·亨維克,比爾·坎普,扎克·伍茲,托弗·格雷斯,艾德·哈里斯,詹姆斯·弗蘭切威勒,拉夫·洛,史蒂夫·馬克,露露·泰勒,安德烈·雅各布斯,Maggie Toomey,肖恩·卡梅倫·邁克爾,內爾·威廉姆斯,喬·瓦茲,馬丁·門羅,比安卡·阿瑪托,羅伯特·霍布斯,伊桑·桑德斯本是豪門繼承人的貝克特·雷德費洛（格倫·鮑威爾 Glen Powell 飾）被家族拋棄，為了確保成為巨額遺產的唯一繼承人，他不擇手段干掉了七個親戚。影片靈感來源于1949年的喜劇《仁心與冠冕》。
茱莉亞
簡·方達,杰森·羅巴茲,瓦妮莎·雷德格雷夫,馬克西米連·謝爾,梅麗爾·斯特里普故事發(fā)生在二十世紀三十年代初期，莉蓮（簡·方達 Jane Fonda 飾）前往維也納尋找自己曾經的好友茱莉亞（瓦妮莎·雷德格瑞夫 Vanessa Redgrave 飾），到達目的地之后，莉蓮才知道，茱莉亞因為和法西斯支持者發(fā)生了激烈沖突而受傷住進了醫(yī)院，之后不知所蹤。在莉蓮回歸自己的生活之后，她意外的收到了茱莉亞的來信，在信中，茱莉亞請求莉蓮幫助自己投運五萬美元給反納粹組織，盡管這一舉動在當時意味著巨大的危險，但是莉蓮還是答應了茱莉亞，最終，兩個多年未見的好友在柏林重逢。然而，沒過多久，莉蓮便受到了茱莉亞的死訊，在悲痛之中，莉蓮明白，自己還有未完成的任務。
無跡之人
喬恩·沃伊特,Adam Woodward,馬爾頓·索克斯,夏洛特·維嘉在一個陌生的城市醒來，一個對自己是誰沒有記憶的人必須面對自己身份的謎團。但他不顧一切地尋找自己的過去，使他與強大的敵人對抗，導致一場決戰(zhàn)，這將決定他的命運并揭示他的真實身份。——哥斯拉
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
索蕾：來自未來的妻子
希拉·達拉·艾莎,迪翁·維約科,David GojkovicSore從未來穿越回過去，只為改寫她丈夫Jonathan的命運。但命運從不輕易讓步——當過去、現在與未來交織，她與Jonathan的愛情也陷入無法逃脫的時間迷宮。