白白的世界
40來歲的King拋開了曾經的拳擊生涯,在塞爾維亞一座落魄的礦城里經營酒吧。多年前,他受到誘惑愛上了死黨Animal的妻子,結果導致Animal的喪命,Ruzica又被送去坐監。Animal只留下了傻瓜弟弟Zlatan,無論是出于內疚還是同情,King成了他的保護人。Ruzica出獄后嫁了一位好男人,他們的女兒Rosa個性卻十分狂野,命運將她送到了King的身邊。 幕后制作 影片是一部發生在現代的歌唱(但沒有舞蹈)版的希臘悲劇,道德模糊的人物出于激情而并非理性活動,導演也不對他們的動機做出解釋。這部影片曾在2010年瑞士洛迦洛電影節競賽單元上映,并為扮演蛇蝎女郎的佳斯娜 杜里奇摘得了最佳女主角
劇情簡介
40來歲的King拋開了曾經的拳擊生涯,在塞爾維亞一座落魄的礦城里經營酒吧。多年前,他受到誘惑愛上了死黨Animal的妻子,結果導致Animal的喪命,Ruzica又被送去坐監。Animal只留下了傻瓜弟弟Zlatan,無論是出于內疚還是同情,King成了他的保護人。Ruzica出獄后嫁了一位好男人,他們的女兒Rosa個性卻十分狂野,命運將她送到了King的身邊。 幕后制作 影片是一部發生在現代的歌唱(但沒有舞蹈)版的希臘悲劇,道德模糊的人物出于激情而并非理性活動,導演也不對他們的動機做出解釋。這部影片曾在2010年瑞士洛迦洛電影節競賽單元上映,并為扮演蛇蝎女郎的佳斯娜 杜里奇摘得了最佳女主角
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京都球俠
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牧群
The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
平原上的迷途
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暗殺國度
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六號關口
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愛情坐標
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