十一天十一夜2
Gloria暫無內(nèi)容works暫無內(nèi)容as暫無內(nèi)容a暫無內(nèi)容top暫無內(nèi)容nude暫無內(nèi)容model暫無內(nèi)容and暫無內(nèi)容prostitute,暫無內(nèi)容but暫無內(nèi)容she暫無內(nèi)容has暫無內(nèi)容a暫無內(nèi)容secret.暫無內(nèi)容In暫無內(nèi)容reality暫無內(nèi)容she暫無內(nèi)容is暫無內(nèi)容writer暫無內(nèi)容and暫無內(nèi)容social暫無內(nèi)容critic暫無內(nèi)容Sarah暫無內(nèi)容Asproon暫無內(nèi)容researching暫無內(nèi)容her暫無內(nèi)容new暫無內(nèi)容book.暫無內(nèi)容Peter暫無內(nèi)容finds暫無內(nèi)容out暫無內(nèi)容and暫無內(nèi)容blackmails暫無內(nèi)容her暫無內(nèi)容by暫無內(nèi)容demanding暫無內(nèi)容sex暫無內(nèi)容for暫無內(nèi)容his暫無內(nèi)容silence.暫無內(nèi)容Meanwhile暫無內(nèi)容Sarah暫無內(nèi)容develops暫無內(nèi)容feelings暫無內(nèi)容for暫無內(nèi)容computer暫無內(nèi)容whiz暫無內(nèi)容Cliff,暫無內(nèi)容who暫無內(nèi)容struggles暫無內(nèi)容to暫無內(nèi)容resolve暫無內(nèi)容his暫無內(nèi)容own暫無內(nèi)容sexual暫無內(nèi)容orientation.
在線看
同款熱播
紅杉林殺人魔
馬可·伍德,Lisa Cameron,Lisa Livingstone五個熱衷冒險的朋友來到都市傳說中的謀殺案發(fā)地點，準(zhǔn)備享受充滿刺激與驚悚的露營週末，但是他們很快就發(fā)現(xiàn)，徘徊於此的不是只有他們五人，一個神秘殺手悄悄接近，本該要縱慾狂歡的野外假期，瞬間變調(diào)成為致命夢魘......
瘋狂的兔子
柳田,趙夢洋,陳述,崔岳,黃迎,常藍(lán)天未來某城市，藝校姑娘然然（柳田 飾）常帶鄰家小孩豆豆（趙夢洋 飾）玩耍，不料在一起偶然事件中豆豆丟失，她焦急萬分。此時，城市上空降臨UFO，宇航局安全處派出的特工莫名其妙失去了記憶。局長（王鷹 飾）讓偵察員葉云（李藝 飾）觀看監(jiān)視錄像，錄像中似有一個類似豆豆的身影出現(xiàn)，但很快便消失了。與此同時，班上來了一個酷似豆豆的學(xué)生李大米，他隨身攜帶一個神奇的游戲光盤，如果誰玩光盤大喊“神奇的兔子”，不可思議的事情發(fā)生了，兔子竟然跳到人的身上，兔形浸入人的衣服和皮膚，而人也變的瘋狂暴唳。然然因拒絕玩此游戲，瘋狂的兔子弄壞了她的樂器。原來，西伯爾星球科學(xué)家劫持了豆豆并改變了其大腦，改名換姓派回地球作惡......
阿凡達(dá)：火與燼
薩姆·沃辛頓,佐伊·索爾達(dá)娜,西格妮·韋弗,史蒂芬·朗,奧娜·卓別林,大衛(wèi)·休里斯,凱特·溫斯萊特,貝利·巴斯,吉奧瓦尼·瑞比西,杰梅奈·克萊門特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,喬·大衛(wèi)·摩爾 ,杰克·尚皮永,馬特·杰拉德,科斯頓·約翰,菲利普·蓋廖,布里坦·道爾頓,特里尼蒂·布利斯,小杜安·埃文斯影片聚焦杰克·薩利與奈蒂莉一家的命運起伏，在前作的情感余波之上，深刻描繪一個家族在戰(zhàn)火中如何成長、并共同守護(hù)血脈相連的情感紐帶的歷程，從而將故事推向更具張力的全新維度。此外，潘多拉的全新領(lǐng)域也即將揭曉——觀眾將首次邂逅“風(fēng)之商人”這個崇尚和平的全新游牧民族，他們乘坐獨特的浮空生物飛船穿梭于各部落間，交易貨物、傳遞信息。 而更具顛覆性的是“灰燼族”的登場，這個以掠奪為生、性情兇猛的族群，與大地之母愛娃之間有著深刻的矛盾。他們的出現(xiàn)，將撕開潘多拉不為人知的黑暗傳說。當(dāng)弒親之仇與部落恩怨交織，潘多拉的命運懸于一線——在這場跨文明的復(fù)仇之戰(zhàn)中，人類與納威族將如何抉擇，才能真正守護(hù)各自的家園與未來？
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
我們很危險
埃拉娜·詹姆斯,瑞瑪·特·維塔,Nathalie Morris西南偏南電影節(jié)劇情片競賽。 Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.
孤兒2025
Bojtorján Barabas,Andrea Waskovics,格萊高利·嘉德波瓦,馬爾桑·恰尼克1956年匈牙利革命后，一個男孩從小被母親灌輸了關(guān)于已故父親的理想化故事，卻突然遇到一個粗野的男人，對方聲稱自己是他的親生父親。