同流合烏

4.6 播放:33萬 更新:2026-04-25
主演:賀飛 周德邦 錢靖雯 

香港導(dǎo)演云翔第6部作品。多夢的文藝青年高勁軒,遇見蘇格拉底式的老師明鏡臺,深深受到一種莫名的吸引,和女友祖兒的世界,從此天旋地轉(zhuǎn)。在這個尋找內(nèi)心真愛和性向依歸的青澀旅程中,勁軒時不時感覺自己受著三島由紀(jì)夫文學(xué)世界的召喚,那個目的地,似近實(shí)遠(yuǎn),似遠(yuǎn)實(shí)近,瑰麗、壯烈,讓他對明鏡臺有了一種飛蛾撲火般的憧憬。再加入美麗多情善解人意的神秘女郎詩韻,無界的精神清境,纏綿著凡塵的愛欲輪迴。 憑著對藝術(shù)的熱愛和智慧的追求,是否足以在溷沌俗世中活出詩樣的人生?她和他和他和她的不羈王國,不就是你們一直不敢追尋的烏托邦?   

播放通道

詳細(xì)簡介

香港導(dǎo)演云翔第6部作品。多夢的文藝青年高勁軒,遇見蘇格拉底式的老師明鏡臺,深深受到一種莫名的吸引,和女友祖兒的世界,從此天旋地轉(zhuǎn)。在這個尋找內(nèi)心真愛和性向依歸的青澀旅程中,勁軒時不時感覺自己受著三島由紀(jì)夫文學(xué)世界的召喚,那個目的地,似近實(shí)遠(yuǎn),似遠(yuǎn)實(shí)近,瑰麗、壯烈,讓他對明鏡臺有了一種飛蛾撲火般的憧憬。再加入美麗多情善解人意的神秘女郎詩韻,無界的精神清境,纏綿著凡塵的愛欲輪迴?!{著對藝術(shù)的熱愛和智慧的追求,是否足以在溷沌俗世中活出詩樣的人生?她和他和他和她的不羈王國,不就是你們一直不敢追尋的烏托邦?   

同類推薦

馬騰你別走

林更新,李幼斌,宋茜,王彥霖,李雪琴,陳哈琳,馮雷,潘斌龍

沒錢沒愛還沒心沒肺的馬騰(林更新 飾)人近中年一事無成,是旁人眼里公認(rèn)的“廢柴”!鋼廠退休骨干老林(李幼斌 飾)遵守鐵打的紀(jì)律活了一輩子本該安享晚年,身體和心理卻雙雙“亮起紅燈”!本無生活交集的兩人因?yàn)橐粓鐾岽蛘淖o(hù)工面試相遇,展開了一段啼笑皆非的有趣互救。老林為求解脫,將“協(xié)助自殺”的希望寄托在這個不靠譜的護(hù)工身上。馬騰雖然想賺錢完成女兒的心愿,但無膽害命,只能發(fā)揮自己的樂觀心態(tài)在日常中提供情緒價值給老林。二人在一段特殊的旅途中建立起生死友誼,于病痛與死亡的陰影里找到了活下去的小小微光,攜手大膽迎接未知的生活。

專撬墻腳

石天,曾志偉,黃百鳴,劉瑞琪

  簡介:石驚天是一位擅長辦理離婚案的風(fēng)流律師,喜歡與有夫之婦鬼混。老友黃律師之婚禮,令石突然萌置家之念。遂托物色對象,欲將朱帶金改造成他理想的太太。一天,石的堂弟石頭從外地回來,訴說未婚妻移情別戀,石大罵石頭有辱家風(fēng),于是授計助其追女仔。原來石頭想要追求的正是朱。石知道后,馬上帶朱到西班牙渡假,奈何石頭苦苦追蹤而至……

復(fù)仇新娘

凱蒂·勒克萊齊,杰夫·辛,漢娜·巴爾福特,本·加文,Kendra Carelli,尼克·巴拉德,Charles Christopher,Denny Dormody,肯特·法爾考,Heather Horton,Jana Lewis

  擁有一個成功的美發(fā)沙龍,即將嫁給她夢想中的男人,MIYA認(rèn)為事情不會變得更好。當(dāng)她收到婚禮邀請時,事情很快就開始崩潰——她的未婚妻伊恩和前未婚妻洛里的婚禮。不久,宮被一個穿著婚紗和面紗的怪異新娘跟蹤,伊恩開始懷疑宮可能正在編造這一切。當(dāng)一系列可怕的事件開始發(fā)生時,宮先生確信莉莉正在實(shí)施一個扭曲和致命的復(fù)仇計劃

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

牧群

  The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.