被侵犯的白衣

1.4 播放:74萬 更新:2026-04-28

白百合醫院位于某個海濱小鎮的森林中,這里的宿舍住著六名青春美麗的女護士。由于病患稀少,與世隔絕,女孩們身心的欲望難以抑制,在漫長而躁動的夜晚,她們有的選擇彼此慰籍,有的則蹲在門外窺視,目光中充滿了興奮、激動和不安。某晚,一個俊美且面帶憂郁的男青年(唐十郎飾)路過此地,他正處在青春躁動期,對女性的身體既充滿渴望,又對這樣的誘惑懷有莫大的恐懼和憎惡。女孩們將青年引入宿舍,并強迫他窺視兩個女孩纏綿的場景。青年無法忍耐,他闖了進去,怒不可遏地槍殺一名女孩。在此之后,他囚禁了其他五名護士。在手槍面前,她們惶恐、諂媚、義正言辭,卻發現死亡才是唯一的通行證……

播放通道

詳細簡介

白百合醫院位于某個海濱小鎮的森林中,這里的宿舍住著六名青春美麗的女護士。由于病患稀少,與世隔絕,女孩們身心的欲望難以抑制,在漫長而躁動的夜晚,她們有的選擇彼此慰籍,有的則蹲在門外窺視,目光中充滿了興奮、激動和不安。某晚,一個俊美且面帶憂郁的男青年(唐十郎飾)路過此地,他正處在青春躁動期,對女性的身體既充滿渴望,又對這樣的誘惑懷有莫大的恐懼和憎惡。女孩們將青年引入宿舍,并強迫他窺視兩個女孩纏綿的場景。青年無法忍耐,他闖了進去,怒不可遏地槍殺一名女孩。在此之后,他囚禁了其他五名護士。在手槍面前,她們惶恐、諂媚、義正言辭,卻發現死亡才是唯一的通行證……

同類推薦

非法入侵

尼古拉斯·凱奇,妮可·基德曼,本·門德爾森,麗亞娜·萊伯拉托,凱姆·吉甘戴,喬丹娜·斯皮羅,達什·米霍克,艾米麗·梅德,尼可·托托雷拉

  米勒一家似乎擁有所有人都夢寐以求的生活:豪宅、跑車、美滿的家庭。在一個普通的日子,美麗的妻子薩拉(妮可·基德曼 Nicole Kidman 飾)迎接出差回家的丈夫,成功的鉆石采購商凱爾(尼古拉斯·凱奇 Nicolas Cage 飾)。凱爾回家的同時青春期的女兒則艾弗瑞(麗亞娜·萊伯拉托 Liana Liberato 飾)瞞著父母偷偷溜出家門去參加朋友家的派對。可是天有不測風云,一伙由四人組成的搶劫團伙闖進米勒家,綁架了夫婦二人欲實施搶劫。艾弗瑞參加完派對回家也不幸撞到了家中正在發生的悲劇。面對喪心病狂的劫匪,米勒一家將怎樣解除危機?他們是否會安然無恙?而這看似普通的搶劫背后是否又有不為人知的陰謀和骯臟的秘密?

馬爾切洛·埃爾南德斯:美國男孩

馬爾切洛·埃爾南德斯

  Marcello Hernandez: American Boy. Only on Netflix January 7.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

摩登神探

鄭則士,廖偉雄,羅烈

  阿燦(廖偉雄飾)與肥則(鄭則士飾)一對活貝警界立下不豐功偉績。但每次都是烏龍百出,錯有錯著之下破案的,一次因涉嫌收藏大陸的非法人蛇,倆人同被革除職務。二人于無意中得悉一名叫契爺的黑社會頭子,擄去一富翁的小孫,但倆人是被革退的警員,又怎樣去處理或能否撲滅契的犯罪集團呢!  肥則為了娶阿芳(鄭麗芳飾)為妻,收留了從大陸偷渡過來的大姨媽及其女阿珍(阮佩玲飾)。阿燦愛上了賢淑可愛的阿珍,兩人很快墮入愛河。另一方面,犯罪集團主腦契爺(羅烈飾)及得力女助手阿JOE策劃一樁勒索案,但取贖金時險比警方捉拿。無計可施時,契爺捉走阿珍及阿芳來威脅阿燦及肥則替他們取贖金,并在他們身上裝了一遙控計時炸彈…

姐妹2026

鄭知曉,李洙赫,車珠英

改編自英國電影《愛麗絲的失蹤》                                                                        為了給弟弟的手術費籌錢,海蘭與身為高利貸主的泰秀聯合策劃了一起綁架案,目標就是海蘭同父異母的姐姐素珍。素珍之前并不知道自己還有個妹妹,當身份關系揭曉,綁匪和人質之間變得微妙起來……