劇情簡(jiǎn)介
何杰嫁給賢啊。他認(rèn)為妻子和女朋友是不同的東西,拒絕和賢啊上床。雖然她心煩意亂,但為了他的財(cái)富,她一直堅(jiān)持與主人在一起,但她仍然感到內(nèi)心空虛。我
為你推薦
藏地情書(shū)
屈楚蕭,邱天,馬蘇,張寧江,金巴,黨浩予,班瑪加,巴金旺甲,才丁扎西毛銘基(屈楚蕭 飾)和傅真(邱天 飾)在拉薩相遇,并和子琪(馬蘇 飾)、李健(張寧江 飾)、達(dá)娃(金巴 飾)結(jié)伴前往珠峰大本營(yíng)。歷經(jīng)各種波折后,毛銘基和傅真二人之間產(chǎn)生了純粹且強(qiáng)烈的愛(ài)情,但兩人都未在即將結(jié)束的旅途前表達(dá)愛(ài)意,他們最終能否知曉彼此的心意?
換皮
瑞貝卡·福斯蒂,露西·阿倫,芭芭拉·克蘭普頓,Sean Knopp,阿德南·馬拉爾年輕漂亮的凱拉得了一種奇怪的疾病,她的皮膚開(kāi)始老化,干裂和瓦解。當(dāng)她發(fā)現(xiàn)她可以用別人的皮膚來(lái)替代自己的皮膚時(shí),她必須做出選擇,看著自己的軀體枯萎死亡,還是屈服于誘惑,不管代價(jià)如何。
大佛回國(guó)
Philip Granger,Toshi Toda,寶田明,森田友希,Shelley Sweeney,久保明,Peggy Neal,Robert Scott Field,螢雪次朗,Francisco de Borja De la Bella,小林夕岐子,Inge Murata,Yoshiro Uchida,Ippei ?sako,Norman England
東北警察故事3
謝苗,林曉杰,崔志佳,黃米依,伍允龍,馬千壹,張磊,馮瑤,唐鑒軍,田娃,吳莫愁李紅旗要辦婚禮了!本想婚禮一切從簡(jiǎn),但彪悍熱心的丈母娘(林曉杰 飾)堅(jiān)持做主想大操大辦,李紅旗不得不飛往海角,落地后卻得知飛機(jī)鄰座女孩昕昕(馬千壹 飾)被人販子拐走。面對(duì)兇殘狡猾的犯罪團(tuán)伙,李紅旗與當(dāng)?shù)剞k案風(fēng)格迥異的警察孫彪(崔志佳 飾)強(qiáng)強(qiáng)聯(lián)手,在婚期逼近的倒計(jì)時(shí)中和人販子頭目秦葉蓉(黃米依 飾)及賣魚(yú)佬(伍允龍 飾)展開(kāi)殊死搏斗。婚禮籌備笑料百出,辦案追兇驚心動(dòng)魄——紅旗不倒,正義不休假!看李紅旗如何罪犯、幸福兩手抓。
富貴再逼人
沈殿霞,董驃在報(bào)館任職的驃叔(董驃 飾)因?yàn)楣ぷ鞯年P(guān)系帶著全家到加拿大工作。一家五口都全身心投入新環(huán)境新生活中,驃叔卻因得罪上司被解雇了。由于大女兒、二女兒(李麗珍 飾)已開(kāi)始了學(xué)業(yè),他唯有帶著妻子驃嬸(沈殿霞 飾)與最小的女兒回到香港繼續(xù)生活,生活卻比以前更艱難了。驃嬸無(wú)意中發(fā)現(xiàn)了一張加拿大的頭獎(jiǎng)彩票,獎(jiǎng)金是兩千萬(wàn)加幣。 由于不夠錢(qián)到加國(guó),驃叔硬著頭皮向舊上司借。同樣受到經(jīng)濟(jì)危機(jī)的上司設(shè)法要奪取驃叔的彩票。驃叔一家頑強(qiáng)對(duì)抗,保住了彩票,卻無(wú)法在領(lǐng)獎(jiǎng)時(shí)限截止前趕到。 一家人傷心流淚,悲傷之中發(fā)現(xiàn)時(shí)間上出現(xiàn)了時(shí)差,領(lǐng)獎(jiǎng)的時(shí)間還沒(méi)截止。
時(shí)裝
安吉麗娜·朱莉,阿尼爾·阿內(nèi)伊,艾拉·朗夫,路易·加瑞爾,加朗斯·馬里利埃,紀(jì)堯姆·馬貝克,文森特·林頓,肖恩·格萊特,費(fèi)尼肯·歐菲爾德,米格倫·米切夫,克斯蒂·伊爾維斯·薩維納,阿黛爾·蒙特布爾,卡蒂亞·克里韋拉里,弗朗索瓦·菲利皮在時(shí)裝周的狂熱中,三位女性在巴黎的生活中不期而遇,她們一邊應(yīng)對(duì)著世界的悲劇,一邊思索著自己人生的問(wèn)題:麥克斯(Maxine),一位40多歲的美國(guó)電影導(dǎo)演,發(fā)現(xiàn)自己患上了癌癥;阿達(dá)(Ada),一位年輕的南蘇丹模特,逃離了她注定的命運(yùn),卻被推入了一個(gè)充滿欺騙的世界;安吉爾(Angèle),一位在T臺(tái)幕后默默工作的法國(guó)化妝師,夢(mèng)想著逃離自己的生活。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster