赤裸性追緝

評分:3.2 播放:36萬 更新:2026-04-24

馬克 卡希爾是個顧家的好男人有一個賢淑的妻子和兩個可愛的孩子。馬克也恰好是一個殺手誰是他的最后一個受害者困擾,一個金發(fā)碧眼的,誰不斷出現(xiàn)在他的臥室在最糟糕的時候。當(dāng)他成為兩種業(yè)務(wù)合作伙伴,合作伙伴的配偶和她的男友(S)的一個計劃,趕上了他的生活變得更加復(fù)雜。   

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凱特·阿普頓,亞歷珊德拉·達(dá)達(dá)里奧,馬特·巴爾,馬特·瓊斯,卡爾·潘,邁克爾·本耶爾,艾米·阿內(nèi)克,喬·努內(nèi)斯,阿爾文·桑德斯,羅伯·考德瑞,莫莉·香儂,安吉拉·穆爾,約翰·卡西尼,詹妮弗·千,約翰·德斯崔,羅克·克里切洛,凱利·格澤爾,瑪麗·布萊克

  影片講述一對生活失意的閨蜜在旅行散心的途中遇到一位帥哥,兩人開始使盡渾身解數(shù)博得他的好感,閨蜜從此變仇人…

怪物驚魂

碧帕莎·芭素,Imran Abbas,Bikramjeet Singh,Deepraj Rana,Mukul Dev

  某年圣誕節(jié)期間,位于一個僻靜舒適角落的格蘭達(dá)爾森林旅館正式開業(yè)。美麗的女店主阿哈娜(碧帕莎·芭素 Bipasha Basu 飾)為了這一天可謂煞費苦心,她以一己之力安排旅館內(nèi)的一切事務(wù),與此同時第一批客人也接二連三入住。雖然狀況不斷,不過旅館的開業(yè)儀式總算順利進(jìn)行了下來,而且她還因誤會結(jié)識了擁有迷人氣質(zhì)的客人庫納爾·阿南德(Imran Abbas 飾)。然而在前一晚,給旅店送貨的司機(jī)遭到不明生物的襲擊,死狀可怖。次日,一對新婚燕爾的夫妻也在叢林中遇襲。  恐怖的死亡氣氛迅速蔓延,阿哈娜好不容易建立起來的夢想旅館,面臨怪物的無情毀滅……

尋龍訣·覓蹤

張涵予,姜武,盧靖姍,邁克爾·寇特斯,羅恩·斯穆安伯格,安德魯·達(dá)茲,史蒂文·達(dá)茲,馬文·布韋,Simon Shiyamba,Daria Gz,Lorenzo de Moor,Francesca Alice Antonini,Errol Trotman-Harewood,Alejandro Gil Mateos,Lola Dufour

故事發(fā)生在20世紀(jì)90年代,講述了本已打算金盆洗手的摸金三人組胡八一(張涵予飾)、王凱旋(姜武飾)、Shirley楊(盧靖姍飾)在大金牙的勸說下又操起老本行,但原本以為只是簡單任務(wù)的他們卻因意外身陷危機(jī),不得不重新踏上兇險萬分的地下之旅。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster