劇情簡介
一見鐘情的妻子結(jié)婚,志尹南幸福的新婚的日子的南。撒嬌的可愛的樣子,志尹南有著密不可分的眼睛,每天晚上可以低聲幸福的愛情。在此過程中,有一天突然來到父親的訪問,可以,但是他慌張的志尹南不同的女兒一樣高興的迎接。比自己父親的妻子更可怕的心情可以產(chǎn)生的爸爸的情況下長大的志尹南不幸的童年隨著聽到父親。。
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蟲2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田絹緒,細川佳央,橋野純平,中山求一郎柾木在大學(xué)好友池內(nèi)的邀請下去觀看舞臺劇，并被登臺表演的芙蓉所吸引。然而，他逐漸開始懷疑芙蓉與池內(nèi)之間的關(guān)系。于是柾木與一個對芙蓉心懷厭惡的神秘女子小林合作…… 影片根據(jù)江戶川亂步的同名中篇小說改編。
伊曼紐爾的真相
卡雅·斯考達里奧,杰西卡·貝爾,阿爾弗雷德·莫里納,弗蘭西絲·奧康納,阿奈林·巴納德,吉米·辛普森,Gabriela Dias,斯賓塞·加雷特,山姆·賈格,凱文·麥克克科爾,安妮·拉姆塞片中卡雅·斯考達里奧飾演伊曼紐爾，她迷上了長得酷像她死去母親的新鄰居(杰西卡·貝爾飾）。為了照顧她新生的孩子，伊曼紐爾陷入了一個虛幻易碎的世界，并成為了那里的守門人…
尸咒
金允慧,宋以載,樸智勛,李相亞以實驗電影聞名海外各大電影節(jié)的知名導(dǎo)演輝旭（樸智勛 飾），為了拍攝以舞蹈為主題的新作品，將與新人演員詩映（金允慧 飾）、彩允（宋伊才 飾）一起在廢棄學(xué)校的屋頂上進行拍攝。以破格、粗暴的舞蹈動作開始進行拍攝后，演員和制作人們被一股神秘力量吞噬，拍攝現(xiàn)場瞬間陷入慘不忍賭的情況。「活尸蘇醒了！」面對不該醒來的存在，他們的命運將會如何……
大怪獸巴朗
野村浩三,園田あゆみ,千田是也,平田昭彥,村上冬樹,土屋嘉男科學(xué)萬能の現(xiàn)代、だが未だ地球上には解明できぬ謎が殘されている……。東北地方に、婆羅陀魏山神という神をまつる村があった。訪れた調(diào)査隊はそこで生ける神?バラダキを目撃する。それは湖に棲息する中生代の恐竜?バランであった。急遽出動した自衛(wèi)隊の攻撃を逃れ、バランは空へと舞い上がる。やがて姿を現(xiàn)したバランは、浦賀水道から東京上陸を狙う。３６ミリ機関砲さえ跳ね返すバランに対し、自衛(wèi)隊はダイナマイトの２０倍もの威力を誇る特殊火薬をもって対抗するが……。ミニチュアワークは相変わらず冴えているが、“未知の謎”を主題にしているわりにはストーリーが平板。冒頭からバランの全身を出し、その破壊力の描寫に終始している感がある。資料によっては「東洋の怪物」のサブタイトルも見受けられるが、フィルム?クレジット上には存在しない。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火箭手
比利·坎貝爾,詹妮弗·康納利,艾倫·阿金,提摩西·道爾頓,保羅·索維諾,特瑞·歐奎恩,埃德·勞特爾,詹姆斯·漢迪,Robert Miranda,喬·鮑里托,埃迪·瓊斯,威廉·桑德森,Nada Despotovich,瑪格·馬丁戴爾,America Martin,馬克斯·格隆切克,邁克爾·米爾漢,喬·達安格里奧,克林特·霍華德,Tommy J. Huff,帕特·克勞福德·布朗,朱利安·巴恩斯,彼得·布羅米洛,Tom Kindle,威廉·弗蘭克神父,諾伯特·魏塞爾,梅羅拉·哈丁,瑞克·歐弗頓,Dick War《火箭人》（The Rocketeer）是迪士尼１９９１年推出的電影，故事題材是由 Dave Stevens 同名的圖文小說改編而成?！ ”酒前l(fā)生在１９３０年代的好萊塢，有一個軍方的秘密武器意外落在一位競技表演飛行員 Cliff Secord 手中，他對此一推進器頗感驚奇， 最后他背上了這付怪東西、戴上面具，成了行俠仗義的『火箭人』，然而各方人馬都想奪得這項秘密武器，尤其有一位好萊塢影壇的知名男演員 Neville Sinclair ，他其實是納粹潛伏在好萊塢的情報份子，為了奪得火箭，他還挾持了 Cliff 的女友 Jenny Blake，火箭人 Cliff 于是展開他的救援行動?！ ”酒伞队H愛的我把孩子縮小了》、《野蠻游戲》、《侏羅紀(jì)公園３》以及《百勝天龍》影集的知名導(dǎo)演 Joe Johnston 所執(zhí)導(dǎo)，他同時也是《星際大戰(zhàn)》系列的特效大師。至于演員方面，男主角 Cliff 由 Bill Campbell 擔(dān)任，女主角則是 Jennifer Connelly，至于片中那位大反派間諜演員，則是由曾演過００７的 Timothy Dalton 擔(dān)任。 本片配樂的是 James Horner ，原本原聲帶都已經(jīng)絕版多年，但在前幾年《鐵達尼號》造成發(fā)燒的時候， James Horner 的作品又造成熱潮，迪士尼旗下的好萊塢唱片于是再版發(fā)行了這張電影原聲帶，如今則又絕版了。
北部叢林
尼克·斯塔爾,奧利維亞·王爾德,達什·米霍克Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.