性喜劇

? 8.2 播放：89萬 2026-04-28

別名：Sex Is Comedy 讓娜（安娜帕里約 Anne Parillaud 飾）是一位對待藝術極為挑剔、嚴厲的女導演，由于資金有限，她有必要全權掌控電影的每一步。因而，片場的讓娜宛如暴君通常，毫無情面地統治著整個劇組。可是，即使飛揚跋扈如此，讓娜依然遇到史無前例的艱難。她正在拍照一部新片，其中有一場床戲卻一直不行滿足。男女主角（格雷戈爾科林_Gr eacute;goire Colin   羅珊娜 middot;馬奎達 Roxane Mesquida 飾），互相憎惡，彼此看不順眼，更別提表現出少許的糾纏愛意。對此讓娜無計可施，由于她已和男主角墜入愛河，男主角仗著這層聯系松懈自負，為所欲為，全然不懼讓娜的威嚴。 電影的拍照寸步難行，這令讓娜更加焦慮 

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劇情提要

別名：Sex Is Comedy 讓娜（安娜帕里約 Anne Parillaud 飾）是一位對待藝術極為挑剔、嚴厲的女導演，由于資金有限，她有必要全權掌控電影的每一步。因而，片場的讓娜宛如暴君通常，毫無情面地統治著整個劇組。可是，即使飛揚跋扈如此，讓娜依然遇到史無前例的艱難。她正在拍照一部新片，其中有一場床戲卻一直不行滿足。男女主角（格雷戈爾科林_Gr eacute;goire Colin   羅珊娜 middot;馬奎達 Roxane Mesquida 飾），互相憎惡，彼此看不順眼，更別提表現出少許的糾纏愛意。對此讓娜無計可施，由于她已和男主角墜入愛河，男主角仗著這層聯系松懈自負，為所欲為，全然不懼讓娜的威嚴。 電影的拍照寸步難行，這令讓娜更加焦慮 

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

最小的女兒

出身穆斯林家庭的少女法蒂瑪，即將前往巴黎讀大學。站在人生岔路口，她面臨性向與信仰的纏斗。對女體難以啟齒的貪戀，化為交友軟件上無數個假名與忘我纏綿的幽會。隨著晨禱摻入雜念，法蒂瑪遇見命定的那個她，在親密關系里感受愛與傷，卻依舊迷茫。四季遞嬗間，那些捫心自問的日與夜，會將法蒂瑪帶往何方？