#窨井蓋

一對(duì)出現(xiàn)感情危機(jī)的情侶，奔赴荒山深處的度假屋，展開浪漫之旅。然而各懷心事的兩人彼此設(shè)計(jì)，意外被卷入一場(chǎng)綁架與追殺?；纳揭固?、冰湖驚魂，在絕境的生死考驗(yàn)中，他們被迫攜手同行，危機(jī)四伏間，愛與信任被重新喚醒，二人終于明白相守的意義。

　　畢業(yè)于某高中的考特尼（Laura Ashley Samuels 飾）、瑞安（皮爾森·福德 Pierson Fode 飾）、南森（喬·阿德勒 Joe Adler 飾）等人聚在一起聊天，他們俊朗美麗，當(dāng)初都是學(xué)校里備受人關(guān)注的明星人物。只不過站在頂端的風(fēng)云兒常常促狹無(wú)度，他們隨意捉弄其他同學(xué)，并以此為樂，當(dāng)然彼此心中默默守護(hù)著一個(gè)不可輕易為外人道的秘密。某天，他們的同學(xué)吉米被一個(gè)帶著瑪麗蓮·夢(mèng)露面具的人抓住，隨后以極其殘酷的手段虐待致死。這件事令眾人大為震驚，而他們隨后也不約而同遭遇各種奇怪事件。　　一切似乎指向數(shù)年前發(fā)生在珊地海灘的一次“意外”，他們的一位同學(xué)溺水身亡，而刻意被隱藏的“意外”則成為他們今天深陷死亡漩渦的肇因。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　十年前，一位在派對(duì)上被強(qiáng)奸的年輕女子，飽受創(chuàng)傷，抓住難得的機(jī)會(huì)，向施暴者反擊。然而，復(fù)仇的甜蜜滋味，卻讓她變成了多年來(lái)一直恐懼的那個(gè)怪物。這段驚險(xiǎn)刺激的旅程將讓你緊張不安，模糊是非對(duì)錯(cuò)的界限。隨著權(quán)力格局的不斷變化，安吉的治愈之路也引出了一個(gè)問題：“為了擺脫創(chuàng)傷，你愿意付出多少？”