劇情縱覽
影片講述美國在不久的將來,爆發(fā)了影響全國的內(nèi)戰(zhàn)。在資深戰(zhàn)地攝影師李·史密斯(克斯汀·鄧斯特 Kirsten Dunst 飾)的帶領(lǐng)下,記者們組成了一支強大的專業(yè)團隊,穿越戰(zhàn)線并設(shè)法生存下來。他們驅(qū)車前往華盛頓特區(qū),希望在總統(tǒng)向名為 "WF"的軍事力量投降之前采訪總統(tǒng)。
影片講述美國在不久的將來,爆發(fā)了影響全國的內(nèi)戰(zhàn)。在資深戰(zhàn)地攝影師李·史密斯(克斯汀·鄧斯特 Kirsten Dunst 飾)的帶領(lǐng)下,記者們組成了一支強大的專業(yè)團隊,穿越戰(zhàn)線并設(shè)法生存下來。他們驅(qū)車前往華盛頓特區(qū),希望在總統(tǒng)向名為 "WF"的軍事力量投降之前采訪總統(tǒng)。
不知曾幾何時,地球突然爆發(fā)恐怖的喪尸病毒,成千上萬的人被病毒感染,隨后化作嗜血喪尸撕咬同類,正常人類的數(shù)字直線減少。帕特里克(馬修·福克斯 Matthew Fox 飾)和杰克(杰弗里·多諾萬 Jeffrey Donovan 飾)當年乘坐巴士疏散,誰知途中遭遇最慘烈的 事件,這兩個男人以及一個尚在襁褓中的小嬰兒成為唯一的幸存者。九年后,地球上人類所剩無幾,杰克以及當年的嬰兒——可愛的小女孩露(奎恩·麥克科甘 Quinn McColgan 飾)住在一個寒冷的山村,父女倆相親相愛,甜蜜溫馨。與之相對,胡子拉碴的帕特里克與他們比鄰而居,他似乎與杰克有著深深的隔膜。 某個飄雪的夜晚,露意外在院落外目擊到久未出現(xiàn)的喪尸的行蹤,曾經(jīng)的噩夢再度浮現(xiàn)……
瑪拉(裴淳華 Rosamund Pike 飾)經(jīng)營著一家監(jiān)護人公司,她專門尋找身體情況欠佳同時又無依無靠的老年人下手,通過并不是那么合法的手段令自己成為他們的法定監(jiān)護人,將他們送進療養(yǎng)院,之后便可接手和變賣他們的財產(chǎn)和房產(chǎn),再將所得據(jù)為己有。 某日,瑪拉將下一個“吞噬”的目標放在了一位名叫珍妮弗(黛安娜·維斯特 Dianne Wiest 飾)的老太太身上,經(jīng)調(diào)查,珍妮弗沒有任何的親人,同時又擁有著價值不菲的遺產(chǎn),簡直就是他們的最佳“肥羊”。在一番操作之后,珍妮弗被沒收手機關(guān)進了療養(yǎng)院,但此時的瑪拉和她的戀人兼合伙人弗蘭(艾莎·岡薩雷斯 Eiza González 飾)并不知道的是,她們?nèi)巧狭艘粋€不該惹,也不能惹的人。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
盛夏的度假時節(jié),一位城市女人來到鄉(xiāng)下滯留,這期間,城市女人誘惑了當?shù)氐霓r(nóng)夫并教唆他殺死自己的妻子(Janet Gaynor 飾)以便販賣掉農(nóng)莊后私奔。被迷惑了心竅的男人早已忘記了那些同妻子共處的純美時光,他將妻子帶到河面蓄謀加害,卻在要下毒手時幡然悔悟,傷心的妻子踏上了進城的列車,男人窮追不舍一同抵達城市。城市里真正是一片花花世界呵,這對夫妻在街上游走玩樂,在那些小小的玩笑中,甜蜜的冒險中,他們又找回了愛情的美妙共鳴……和好如初的兩人返回鄉(xiāng)村,不料卻在歸途遇上了肆虐的風浪……本片是德國導(dǎo)演茂瑙赴美發(fā)展后拍攝的第一部作品,曾被多家權(quán)威媒體評選為默片最佳杰作之一,獲第一屆奧斯卡最佳女演員、攝影等多項褒獎。