虐之戀1993
《虐之戀1993》是由李修賢,黃秋生,李美鳳,紀家發(fā),李華月,夏萍等主演,翁玉(李美鳳暫無內容飾)本來生活在一個幸福的家庭之中,丈夫阿森(黃秋生暫無內容飾)年輕有為,兒子活潑可愛。然而,不幸的是,阿森竟然擁有性虐待的癖好,每晚,翁玉都要面對來自丈夫的慘無人道的羞辱和折磨。翁玉的母親身患頑疾,唯有阿森能夠得到治病的良藥,因此翁玉只能默默忍受前者的暴力。某日,忍無可忍的翁玉第一次反抗了阿森,兩人追打至街角,遇見了剛好路過此地的探員阿雄(李修賢暫無內容飾)。阿雄十分同情翁玉的遭遇,之后將翁玉和她的兒子藏在了女友珍妮家中。哪知道阿森找到了翁玉的母親,以此要挾妻子現(xiàn)身,他打算帶著妻子和孩子同歸于盡。
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美國小說
杰弗里·懷特,翠西·艾利斯·羅斯,約翰·奧提茲,伊薩·雷,斯特林·K·布朗,埃里卡·亞歷山大,萊斯利·格塞斯,亞當·布羅迪,凱斯·大衛(wèi),邁拉·盧克利希亞·泰勒,雷蒙德·安東尼·托馬斯,奧基里特·奧諾多瓦,米麗婭姆·肖爾,邁克爾·西里爾·克賴頓,派特里克·費斯克勒,尼爾·勒納,J·C·麥肯澤,詹·哈里斯,貝茨·懷爾德,邁克爾·吉布林停滯
Dan Palmer,Tamaryn Payne,Mark Holden索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇守骨異獸
約翰·瑞斯-戴維斯,薩拉·亞歷山德拉·馬克斯,Louis James,蒂芙妮·漢納姆·丹尼爾斯,索菲亞·埃萊尼,Danny Rahim,泰勒·溫奇科姆,Sarah T. Cohen,Lee Baker,Marco Antonio Clifton,安吉拉·迪克森,Wayne Gordon,索菲·蘭金丟失的彩票
翁拉維·那提通,芬蒂拉·皮皮亞克隆,娜帕帕·丹特拉庫爾,蘇提拉克·素維杰拉18歲的青春
全昭旻,金度延,秋昭貞,樸瑞妍,宋智妍同類推薦
忍者刺客49
小杉健,三浦誠己,菜葉菜Kyohei Aizawa, an assassin for a covert non-governmental espionage group in Japan called "SEEK", is grieving over the loss of his girlfriend from a tragic plane accident. The leader of "SEEK",Ryo Mikumo, contacts him for an emergency mission; save a fellow agent, recover a new highly explosive liquid called "RDX@", stop a ruthless Yakuza leader, Sojiro Kotsuki, and his gang before they take over Japan. Although the Ninjas were thought to have disappeared... the new breed of assassins live on helping to protect Japan and all that is right; the Ninjas are coming soon.
命運之書
邁克.梅爾斯,斯賓塞.布萊斯林火、水、風、土、和空氣,生命五種核心元素曾經注入在一本書--命運之書。黑暗籠罩了大地,需要借助筆和書的力量,但這本書卻失蹤了,人們以為它永遠消失了,但數(shù)百年后卻又再度出現(xiàn)……
食人晚宴
Alexandra Lesch,Kristiana Rohder,Lara BaumA group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.
特種部隊:毀尸滅盡
Kevin Tanski,Robert Woodley,Chris Clark,Will Mutka,Mike Sarcinelli,Kahley Cuff,Rick Primerano,Patrick Mallette,Salvatore Sabia,Gary Sundown,Daniel James,Artimus Pyle,Ashlee Amoia,Aleksandar Ivicic,Darrin StockFive Spec Ops, Alpha Squad, head a simple Recon Mission that turns into an all out war for survival against a wave of undead experiments. Alpha Squad must fight, not just for the sake of their own survival, but the fate of the world.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.