劇情縱覽
兩個男人愛一個女人。瑞妍每次在兩個男人之間選擇她想與之建立關(guān)系的人。Jin-Woo 和 Dong-Hyeon 在為 Seo-Yeon 服務(wù)時競爭。我不認為這種關(guān)系很奇怪。其實,在兩人之間做出不情愿的選擇是有原因的……最終贏得徐妍愛的男人會是誰? 年輕男女永無止境的愛情故事才剛剛開始。
兩個男人愛一個女人。瑞妍每次在兩個男人之間選擇她想與之建立關(guān)系的人。Jin-Woo 和 Dong-Hyeon 在為 Seo-Yeon 服務(wù)時競爭。我不認為這種關(guān)系很奇怪。其實,在兩人之間做出不情愿的選擇是有原因的……最終贏得徐妍愛的男人會是誰? 年輕男女永無止境的愛情故事才剛剛開始。
在近未來的反烏托邦社會,電視真人秀《過關(guān)斬將》(The Running Man)以血腥的生存競賽霸占收視榜首。參賽者被稱為“跑者”(Runners),必須在職業(yè)殺手的追獵下存活30天,一舉一動皆被實時直播給嗜血的公眾觀眾;每多活一天,便能累積更高額獎金。 工人階級的本·理查茲(格倫·鮑威爾 飾)為拯救重病女兒孤注一擲,被節(jié)目魅力十足卻冷酷無情的制作人丹·基利安(喬什·布洛林 飾)說服,以“最后希望”的身份踏入這場死亡游戲。 然而,本的叛逆、求生本能與堅韌意志,竟讓他意外成為全民追捧的偶像——同時也成了整個體制的致命威脅。 隨著收視率飆升至巔峰,危險指數(shù)同步暴漲。本不僅要智勝步步緊逼的獵人,更需對抗整個國度對他“慘敗”的瘋狂期待。 影片改編自史蒂芬·金的同名小說。
20世紀50、60年代,亨利·韋斯特博士(威廉·麥鮑瑟 William Mapother 飾)創(chuàng)建了靈學實驗室阿提克斯研究所,針對超能力、透視、讀心術(shù)、隔空取物等邊緣學科展開研究。雖然遭遇了無數(shù)的挫折與嘲笑,但是韋斯特博士仍堅持不懈朝著目標前進。1975年,他的實驗室因某起騙局而被迫關(guān)閉,就在此時一個略顯神經(jīng)質(zhì)的女人朱迪思·溫斯黛德(萊亞·吉斯特德 Rya Kihlstedt 飾)被送到實驗室。她之前因傷而擁有了超能力,而其看似貨真價實的超能力迅速令見多識廣的科學家們大為折服。在這一過程中,朱迪思的能力不斷加強,甚至已經(jīng)到了失控的程度。 這已遠遠超出了超能力的范疇,謎團背后惡魔的身影時隱時現(xiàn)……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
在一個與世隔絕的夏令營里,膽小又內(nèi)向的12歲男孩摩根陷入了一場噩夢之中——曾經(jīng)被當作傳說的一個篝火故事竟變成了現(xiàn)實。摩根和他新結(jié)識的朋友們必須踏上一段危險重重的旅程,并揭開隱藏在表象之下的邪惡真相。