影片推薦
180度
德斯蒙德·杜布,法納·莫科納,Prince Grootboom,Warren Masemola,邦基爾·曼賽網(wǎng)絡(luò)迷宮
克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡300殺手
Johnny Andrews,Tierra Peterson,J.P. Simmons終端
瑪格特·羅比,西蒙·佩吉,德克斯特·弗萊徹,麥克·梅爾斯,馬克斯·艾恩斯,卡塔莉娜·凱斯,尼克·莫蘭,Les Loveday,卓丹·鄧,馬修·劉易斯,托馬斯·圖爾格斯,杰伊·辛普森,羅伯特·古德曼,保羅·雷諾茲奪命之愛
Jessica McNamee,Richard Wilson,Xavier Samuel筆仙2004
李世恩,金圭莉同類精選
別告訴媽媽保姆死了
朱恩·斯奎布,丹妮爾·哈麗絲,喬安娜·卡西迪,Phoenix Parnevik,泰里克·威瑟斯,杰梅因·福勒,妮可·里奇,Iantha Richardson,邁爾斯·福勒,格斯·肯沃西,Simone Joy Jones,Patricia Williams,Donielle T. Hansley Jr.,阿亞米·斯萊奇,特莉薩娜,Robert M. Lee,卡特·揚(yáng),Lizet Upia,Hannah Wimbrey,Dominique Toney非禮勿視2
卡恩,丹妮爾·哈麗絲,凱瑟琳·伊莎貝爾,卡吉-埃里克·埃里克森,切蘭·西蒙斯,格雷斯頓·霍爾特,李·馬賈道布,Michael Eklund,Reese Alexander,Kelly-Ruth Mercier,Lynn Colliar,Nancy Bell,克里斯蒂娜·懷道爾,Samantha Noble,史蒂文·維德勒白石州往事
內(nèi)詳四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·??怂?帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里鄰人X 奇怪的她
上野樹里,林遣都,黃姵嘉,野村周平,川瀨陽太,島田久作,原日出子,笨蛋節(jié)奏,酒向芳雨和閃電的氣息
麥卡·夢露,瑪姬·格蕾斯,布拉德·卡特影視排行
殺的就是你
莎姬·貝茲,湯姆·費(fèi)爾頓,帕特麗夏·阿奎特,海瑟·格拉漢姆,米哈拉·赫羅德,佩特遜·約瑟夫,阿曼多·里維拉,達(dá)倫-邁耶,克里斯·范·倫斯堡,蓋布·加布里埃爾,梅根·亞歷山大一個從事打掃工作的女子為紐約一座摩天大樓中的富人家工作,卻被告知這里有一個供奉撒旦的邪教,每個月要?dú)⒁粋€人作為祭品,“今晚,選中了你……”
堵車
吳鎮(zhèn)宇,倪大紅,呂麗萍,孫海英,陳志朋,吳俊余,葛思然,巴哈古麗《堵車》是一部集愛情、動作、奇幻、懸疑和黑色幽默于一體的都市電影,由一起堵車事件道出了販毒者羅生門(吳鎮(zhèn)宇 飾)、發(fā)條(陳志朋 飾)、一休(吳俊余 飾)、橙子(巴哈古麗 飾)等一群“堵心”人之間的命運(yùn)交織,講述了一個懸念迭起、凄美蒼涼的故事?!抖萝嚒贰啥滦亩??! ∪昵?,“富二代”發(fā)條、先天心臟病患者一休和制毒販毒者羅生門三個人同時都愛上了少女橙子。 三年后,又為了同一個目標(biāo),所有人的命運(yùn)再次交織在一起?! 啊伞毙湍μ齑髽蔷褪橇_生門的終點(diǎn),是天堂的大門,也是宿命的象征。在荊軻的槍口下,羅生門用綠藻酒結(jié)束了自己的生命。手機(jī)視頻中,發(fā)條生命垂危,說:如果我死了,請把我的心臟移植給一休。完成了橙子的愿望,也表達(dá)他對橙子的愛。
正人君子2024
崔貞允,許伊在,安喜延,安世珉達(dá)到合格率99%,顧客滿意度100%的自薦書代筆人寶允,聲名大噪的她本人卻在為公務(wù)員考試而煩惱,在超市打工的她每天都過得非常不如意。為了就業(yè)被意想不到的事件所糾纏。寶允的人生漸漸陷入無法控制的困境
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster