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科學怪人的怪獸 山達對蓋拉
ラス?タンブリン,睦五郎,佐原健二,水野久美鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke重慶森林
林青霞,金城武,梁朝偉,王菲,周嘉玲沖動2023
瑪麗亞·露可安諾娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亞·科莫里基-格蘭科夫斯卡亞,Dmitry Khromyh,Islam Kurukov,克塞妮婭·庫捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里如來神掌2020
鄒兆龍,巫迪文,唐菲,黃一飛后座
哈利·米爾林,亞歷山大·斯卡斯加德,道格拉斯·霍奇,萊斯利·夏普,安東尼·威爾士,杰克·謝爾斯,Miranda Bell,比利·金,Rosie Sheehy,Stevie Raine,喬治婭·赫利爾,杰克·夏普,Michael 'Mike' Jones,尼克·菲吉斯,卡夫奇奇·米哈,保羅·塔利斯,Kevin Bazeley,Christina Carty,扎米爾·梅斯蒂,Jacob Carter同類推薦
奪寶生死戰
Grant Show,Vivian Wu,Steve Bacic到2068年,地球上的臭氧消失了,因此,猛烈的、無法控制的風暴正在夷平它的表面。一小群軍事幸存者是人類的最后的捍衛者,當隊長約翰庭院是找到一份工作前戰友拉皮埃爾,他現在是受雇于帝國,一個eco-profiteer,為了拯救他的父親和其他幾位幸存者中庭同意。他和一小群雇傭兵要闖入幾乎不可滲透的文森特遺產和找回無價的“藝術”,儲存在那里的啟示之前。但是有一種致命的電腦控制的防御系統叫做“加密”,他們必須繞過它,還有一個殺手機器人叫做Rook &類似人類的全息安全主管Diana,她掌握著地球完全毀滅的鑰匙——或者說是完全的拯救。
杜塞
瓦萊麗亞·布魯尼·泰德斯基,諾米·梅蘭特,文森佐·內莫拉托,范尼·伍羅奇納,福斯托·魯索·阿萊西,馬切羅·馬扎雷拉,文森佐·皮羅塔,費德里科·帕西菲奇,選填,Iacopo Fanelli,Gaja Masciale,文琴察·莫迪卡,米莫·博雷利,Edoardo Sorgente,薩維諾·帕帕雷拉,Vincenzo IantornoA portrait of actress Eleonora Duse.
象人
安東尼·霍普金斯,約翰·赫特,安妮·班克羅夫特,約翰·吉爾古德,溫蒂·希勒,弗雷迪·瓊斯,邁克爾·埃爾菲克,漢娜·高登,海倫·瑞安,約翰·斯坦丁,德克斯特·弗萊徹,萊斯莉·鄧祿普,菲比·尼克爾斯象人(約翰?赫特 John Hurt 飾)是一個天生的畸形癥患者,他的臉長得就像大象的臉,因此而得名。象人一直被利欲昏心的馬戲團老板利用,帶到世界各地去巡回演出,受盡了非人的虐待。象人所經受的遭遇社會名流們都會感到不可思議,然而樂觀堅強的象人卻承擔了下來。直到有一次,象人遇上了年輕的英國醫生(安東尼?霍普金斯 Anthony Hopkins 飾),出于憐憫和醫生的操守,他與馬戲團老板簽訂了“領養”協議后,將象人帶回了醫院作研究。在醫院里,象人重新感受到了人間的溫暖,而醫生也在和象人的交往中結下了深深的友誼,他已經舍不得這位“上帝的棄兒”。但利欲昏心的馬戲團老板帶人又將象人搶了回去,象人的新生活是否就此終結?
致命玩笑
海耶斯·麥克阿瑟,杰西卡·麥克娜美,基爾·奧唐納一對兄弟姐妹在一家偏僻的汽車旅館里度過了一個可怕的惡作劇之夜。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster