神奇按摩店的商業秘密

不良街區

張本煜,黃塏翔,劉揚,町田悠宇,粘土大介

　　由一樁荒誕的“衛生巾殺人魔”案件展開，講述了幾個在日本的中國人，陰差陽錯地卷入一場黑幫斗爭，與日本毒梟斗智斗勇的故事。他們一個是幫派面臨倒閉妄圖自裁的幫派老大、一個是吊兒郎當的黑導游、 一個是殘暴歹毒的黑幫毒梟、一個是唯利是圖的歌舞伎町老板、一個是胸懷大志卻碌碌無為的警 探，每個人為了達到目的經歷了一番復雜而有趣的遭遇?！　≈鹘莿傉且粋€在日本漂泊的“老炮兒”，親手建立的幫派日益衰落，試圖自裁卻意外卷進命案，發現了驚人的秘密。對正義與規矩的堅守，使他選擇與日本黑幫毒梟正面對決。

惡徒2025

斯蒂芬·格拉漢姆,安德麗婭·賴斯伯勒,安森·布恩,奧斯汀·海恩斯,基特·拉庫森,卡勒姆·布斯-福特,薩萬娜·斯泰恩,諾亞·曼祖爾,Monika Frajczyk

一名19歲的罪犯湯米（Tommy）被一對功能失調的夫婦克里斯（Chris）和凱瑟琳（Kathryn）綁架，并被迫接受他們的“改造計劃”，試圖將他塑造成一個“好男孩”。湯米必須設法逃脫。

太空生活

羅伯特·帕丁森,朱麗葉·比諾什,安德雷·本杰明,米婭·高斯,阿加塔·布澤克,拉斯·艾丁格,克萊爾·陳,伊萬·米切爾,格洛里亞·奧比安約,斯嘉麗·林賽,杰西·羅斯,維克多·班納杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska

　　在一艘飛往黑洞的宇宙飛船上，一群被判死刑的罪犯被賦予太空英雄般的使命，去為地球尋找替代能源。囚犯之間的性活動被嚴格禁止，只能通過飛船上的"盒子"裝置來緩解生理沖動。其中，Dibs博士(朱麗葉·比諾什 飾)將每個囚犯當作實驗動物對待，并瘋狂致力于通過人工授精來制造嬰兒，然而這些實驗卻一直沒有成功，直到她偷偷取得奉行禁欲生活的Monte(羅伯特·帕丁森 飾)的精液...

15點17分，啟程巴黎

斯賓塞·斯通,安東尼·薩德勒,亞歷克·斯卡拉托斯,朱迪·格雷爾,珍娜·費舍,賈里爾·懷特,托馬斯·列農,托尼·海爾,P·J·伯恩,布萊斯·吉扎爾,斯蒂芬·考特爾,羅伯特·普拉爾戈,加里·維克斯

　　影片源自真實事件，講述2015年8月一列從阿姆斯特丹開往巴黎的高速列車上發生了恐怖襲擊事件，三位美國士兵挺身而出將歹徒制服的故事，電影將根據三位當事人的回憶錄改編。

LAST MAN-全盲搜查官- FAKE／TRUTH

福山雅治,大泉洋,永瀨廉,今田美櫻,松尾諭,今井朋彥,奧智哉,木村多江,吉田羊,松本若菜,吉田鋼太郎,向井康二

　　全盲的FBI特別搜查官皆實廣見（福山雅治 飾）被稱為“終結一切案件的最后王牌”。他自日本研修返美后，警視廳搜查一課的護道心太朗（大泉洋 飾）前往美國受訓，兩人在華盛頓與紐約繼續加深“無敵搭檔”的默契。半年后心太朗歸國，兩人再次分隔兩地。　　2025年，皆實因電視節目回到日本，卻遭遇電視臺被全副武裝的恐怖分子占領。他與主播播摩美咲（松本若菜 飾）、首相五之橋義實（吉田鋼太郎 飾）等人被劫持，對方威脅若拿不出10億美元贖金，將在東京引爆炸彈，引爆前所未有的危機。得知皆實被囚的心太朗火速趕往現場，卻發現負責接待皆實的佐久良（吉田羊 飾）已隱藏在內部——一場跨國搭檔再度攜手的極限救援正式拉開序幕。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

414區

蓋·皮爾斯,崔維斯·費米爾,約翰內斯·豪克爾·約翰內森,科林·薩蒙,奈德·丹內利,瑪蒂爾達·魯茨,喬納森·阿里斯,安東尼婭·坎貝爾-休斯,歐文·弗熱瑞,瑪吉·克羅寧,Jorin Cooke,Holly Demaine

　　故事背景設置在不遠的未來世界，在414區的人型機器人殖民地中，私家偵探大衛·卡邁克爾(皮爾斯飾)受雇于癡迷商業世界的財閥馬龍·維特(費米爾飾)去尋找后者叛逆的女兒。卡邁克爾需要與高度智能的機器人(魯茨飾)通力合作，而在這個過程中，關于414區和“機器人之城”起源的罪行也浮出了水面。