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劇情簡介
影片記述了“敦煌女兒”，國家榮譽稱號獲得者樊錦詩堅守大漠，守護世界寶藏莫高窟的壯麗人生故事。 扎根敦煌五十余載，樊錦詩（陳瑾 飾）與敦煌研究院的同事們一起，孤獨的與西北的漫天風沙搏斗，搶救和保護莫高窟內(nèi)的每一件文物; “絕不能讓莫高窟在我們這一代里傳沒了!”時光步入千禧年，面對浩蕩襲來的市場化浪潮與來自四面八方的游客，樊錦詩卻赫然發(fā)現(xiàn)，原來對莫高窟內(nèi)國寶威脅最大的，從來都不只是自然環(huán)境，而是叵測的人心......在年過花甲后，她必須要走出自己埋頭苦干一輩子的“洞子”了……
同類好片
那一晚，我知道你做了什么
王婷,王昭,張喜來,李小胖,袁琳蘭,李星辰阿姆魯姆
Jasper Billerbeck,勞拉·湯克,麗莎·哈格邁斯特,Kian K?ppke,拉爾斯·耶森,德特勒夫·布克,馬提亞斯·施維赫夫,黛安·克魯格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,馬克·哈洛夫,Morten Bo Heine,馬克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins三聲再見
阿爾芭·羅爾瓦赫爾,埃利奧·杰曼諾,弗朗切斯科·卡里爾,西爾維婭·達米科,加拉泰亞·貝露琪,薩莉塔·喬德霍里,洛倫佐·特倫齊,索菲婭·德利婭,斯蒂法諾·布拉奇,彼得羅·斯帕沃利,孫克古·鄭,馬泰奧·卡洛馬尼奧,朱塞佩·佩斯蒂洛,路易莎·里奇,薇拉·杰瑪,亞歷山德羅·洛·卡塞托,科西莫·德西伊,特奧多羅·吉安班科,朱利婭·瓦倫蒂,托馬索·阿爾納爾迪鐵肺
馬克·費施巴赫,卡蘿·卡普蘭,特洛伊·貝克,埃爾希·洛夫洛克,艾麗·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮爾斯,Seán McLoughlin,David Szymanski,丹妮爾·普勒格,拉胡爾·寇利,Ethan Nestor,瓦爾基雷梵蒂岡錄像帶
杰曼·翰蘇,凱瑟琳·羅伯特森,邁克爾·佩納,多格雷·斯科特,邁克爾·帕爾,約翰·帕特里克·阿梅多利,丹尼爾·伯哈特,奧利維亞·泰勒·達德利,彼得·安德森,卡斯·安瓦爾,布魯諾·岡恩,肯特·紹克內(nèi)克,梅爾·法爾,Noemi Gonzalez,泰米娜·森尼阿特羅皮亞
阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔人氣佳作
德國懸案事件簿：失蹤警探
羅蘭·維斯內(nèi)克,梅克·德羅斯特,馬克·本杰明·普赫惡魔在上
丹尼爾·尤因,蒂姆·波考克,Sophie Don,杰西卡·格林,Ben Chisholm,Emily Joy,James Straiton,費利克斯·威廉森,約翰·雷諾茲圍困4
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir審判游戲
阿米達普·巴強,埃朗·哈斯米,Krystle D'Souza,雷亞·查克雷伯蒂導演精選
一個叫小小船的男孩
在飽受干旱困擾的小鎮(zhèn)中，一個拉美裔家庭給他們唯一的兒子取名為“帆船”。帆船給他的家人帶來了新的愛和希望。一天下午他帶回了一把小吉他。從這一刻起，帆船和他的吉他形影不離。病重的祖母希望他為她寫一首歌，帆船迎難而上，創(chuàng)作了有史以來最偉大的歌曲。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
怒海浩劫
影片講述了能源科考隊冒險者號深潛器，在深海海溝執(zhí)行探測任務時，突遭神秘暗流沖擊，墜入了海底未知禁區(qū)內(nèi)，艙內(nèi)四名隊員失去聯(lián)系，生死未卜。中國救援隊青龍?zhí)柵R危受命，奔赴深海緊急救援，一場奇幻震撼的驚險之旅就此展開......