頂級生活第二季
In the Season Two premiere, Bella explores her options for her career and her love life. Meanwhile, her roommate Melissa lands a gig as a party promoter at a new club; Regina discovers her old sexual bucket list and decides to check off a few more items; and Bella is intrigued by Vincent's new workout regimen.
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劇情提要
In the Season Two premiere, Bella explores her options for her career and her love life. Meanwhile, her roommate Melissa lands a gig as a party promoter at a new club; Regina discovers her old sexual bucket list and decides to check off a few more items; and Bella is intrigued by Vincent's new workout regimen.
暗夜精選
忌怪島
西畑大吾,山本美月,生駒里奈,當真亞美,平岡祐太,水石亞飛夢,川添野愛,禱云母,大谷凜香,笹野高史,伊藤步,灘儀武不實夢境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson鬼嬰廟
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad暗杠
梁爽,李正國火車司機日記
拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內勒維奇,尼娜·揚科維奇,達妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚·迪米特里耶維奇,喬萬·卡斯托夫斯基,亞歷山大·格里戈利克養鬼吃人
敖德薩·阿德隆,杰米·克萊頓,亞當·費森,德魯·斯塔基,布蘭登·弗林,伊芙·海因德,杰森·萊爾斯,尹金·奧洛倫尼夫,賽琳娜·露,扎卡里·興,基特·克拉克,高蘭·維斯耶克,西婭姆·阿巴斯,普里德拉格·比耶拉克,戈麗察·瑞格迪克,武卡辛·約萬諾維奇,伊沃娜·庫斯圖迪奇,米奧德拉格·米洛瓦諾夫,尼古拉·肯特,凱蒂·戈伊科維奇秩序的守護者
Cécile De France,Julien Boisselier同系列推薦
瘟疫
喬爾·埃哲頓,埃利奧特·赫弗南,埃弗雷特·布倫克,凱奧·馬丁,肯尼·羅斯牧森,盧卡斯·阿德勒,科爾頓·李,Kolton Lee閣樓上的女孩
珍·路易莎·凱利,索菲亞·卡里埃,基南·特雷西全信沒收
馬特·達蒙,本·阿弗萊克,史蒂文·元,緹雅娜·泰勒,薩莎·卡萊,卡塔琳娜·桑地諾·莫雷諾,斯科特·阿金斯,凱爾·錢德勒,內斯特·卡博內爾,琳娜·埃斯科,辻大介,何塞·巴勃羅·坎蒂略,伊萬·阿馬羅·布隆,艾莉·莫雷諾,肖恩·邁克爾,克里斯·西爾維斯特里,凱瑟琳·德明,戴夫·費里爾,奇里爾·保蘭選擇之她·他
王馨婕,陳驍,馬浚揚,林未,梁瀟雁,陳庭尉,劉海燕我的同桌是極品
宋晨,苑喬玩具熊的五夜后宮:紫色的淚
Bomber Hurley Smith幕后花絮
煎釀三寶
龍雁飛(許冠文 飾)是一個著名的武俠小說家,十年了都沒有新的作品面世了,不過以往的暢銷作品仍然帶給他客觀的收入,生活無憂。他的女兒Sophia(楊千嬅 飾)是個早已到了適婚年齡,但她戀愛運甚差,只想找一個真正可以過日子的人結婚,其實她一直暗戀自己的上司——花花公子Frankie(劉青云 飾)。Frankie因為意外要搬到Sophia的家住,龍雁飛看見自己心愛的女兒被Frankie當工人使喚,心里很不是滋味,便對Frankie充滿了敵意,但在后來的相處中,兩個男人又成了知己……
皆為好事
Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.