劇情縱覽
女主角被貪污刑警愛人陷害后，想殺死貪污刑警未遂入獄。在牢中，女主角曾嘗試越獄，但失手被抓，連累獄中同囚被獄警無理欺壓。貪污刑警雇用監(jiān)獄中女囚，企圖暗中殺人滅口，但未能得手。其後，囚犯因不能忍受獄警的無理虐待，觸發(fā)暴動(dòng)。女主角成功趁亂逃獄後，化身黑衣復(fù)仇天使，親手手刃仇人及相關(guān)人員。
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臻選佳作
惡人的道路
維尼·瓊斯,克里斯蒂安·史萊特,Emily Tennant
某座平凡小鎮(zhèn)，彪悍恐武的警探約翰·伊利亞特（維尼·瓊斯 Vinnie Jones 飾）和美麗善良的女兒海瑟（Emily Tennant 飾）生活在一起。某天一名酷酷的男孩來到海瑟的學(xué)校，他叫羅比·穆勒（杰克·克羅克 Jake Croker 飾），五年前曾和海瑟有過一面之緣，并且卷入了一場(chǎng)神秘恐怖的死亡時(shí)間。羅比似乎對(duì)海瑟頗有好感，但卻因此惹惱追求這個(gè)女孩的格雷戈（Aren Buchholz 飾）。在一次爭(zhēng)執(zhí)中，五年前的恐怖一幕再度上演，格雷戈在沒有任何人碰觸他的情況下突然倒地，遭受重創(chuàng)。 不久后格雷戈傷愈出院，卻死性不改，對(duì)羅比欲行不軌，最終在野外死于一場(chǎng)離奇的事故。約翰受命調(diào)查此案，種種疑點(diǎn)全部指向了神秘而陰森的羅比……
兇間疑影
Teerapong Liaorakwong,Sinjai Plengpanich,Pongpit Preechaborisutkhun,Kanya Rattapetch,Chatsoroth Thanuthipayakul
風(fēng)韻猶存的妮妲是一個(gè)單身媽媽，數(shù)年前她和老公的感情破裂，長(zhǎng)久以來只同兒子阿頓生活在一起。妮妲靠在夜市賣電影光盤為生，巨大的壓力令她皈依一個(gè)名為“Who R U”的宗教社團(tuán)。5年前，阿頓與母親發(fā)生爭(zhēng)執(zhí)，隨即將自己反鎖房中，從此再未踏向外部世界。妮妲與阿頓德交流便是通過門縫下傳遞紙條來實(shí)現(xiàn)，憑借宗教賜予她的力量，妮妲似乎漸漸習(xí)慣這種不正常的生活。 某電視臺(tái)恐怖節(jié)目編輯阿東是妮妲的常客，他得知阿頓的事情，告知妮妲這是一種被稱為“隱蔽青年”的自閉癥狀。阿東決定幫助阿頓走出房門，回到社會(huì)。他極其熱心地操辦此事，結(jié)果卻令他追悔莫及。而在這一過程中，妮妲內(nèi)心塵封已久的記憶也被漸漸喚醒……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
維克多·弗蘭肯斯坦
詹姆斯·麥卡沃伊,丹尼爾·雷德克里夫,杰西卡·布朗·芬德利,安德魯·斯科特,馬克·加蒂斯,露易絲·布瑞麗,丹尼爾·梅斯,弗萊迪·福克斯,布隆森·韋伯,埃利斯戴爾·皮特里,斯賓塞·懷爾丁,卡勒姆·特納
正駐扎于倫敦的馬戲團(tuán)內(nèi)，生活著自幼駝背的青年（丹尼爾·雷德克里夫 Daniel Radcliffe 飾）。他的丑樣子只能供人家取樂，而青年獨(dú)獨(dú)熱愛醫(yī)學(xué)，尤其擅長(zhǎng)解剖學(xué)。在某次演出事故中，青年用自己的學(xué)識(shí)救下了摔成骨折命懸一線的女演員羅蕾萊（杰西卡·布朗·芬德利 Jessica Brown Findlay 飾）。他的學(xué)問得到瘋狂科學(xué)家維克多·弗蘭肯斯坦（詹姆斯·麥卡沃伊 James McAvoy 飾）的賞識(shí)，于是后者想方設(shè)法將其劫了出來，還為其起名伊戈?duì)枴Ｔ诖酥埃ヌm肯斯坦曾經(jīng)做出盜取動(dòng)物園死亡動(dòng)物尸體的事情，而他這一系列的做法只為進(jìn)行一項(xiàng)瘋狂大膽的實(shí)驗(yàn)，那就是縫縫補(bǔ)補(bǔ)創(chuàng)造出來人造的生物。 瘋狂之旅就此展開……