劇情縱覽
VMX's newest crush Aliya Raymundo will turn the heat up as an elevator lady who uses her body to earn more money. She falls for a wealthy married man without her knowing that this will soon lead to her downfall.
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臻選佳作
河流如血
泰雅·迪格斯,約翰·庫薩克,喬治·洛佩茲,盧克·海姆斯沃斯,Gianni Capaldi,布萊恩娜·伊維根,RJ·米特,Steven Berrebi,賈克琳·弗萊明,陶竤,伊薇特·帕里什
The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.
愛的藝術
Hannah Taylor-Gordon,杰奎琳·比塞特,娜塔麗·特納
故事發生于20世紀的德國，在一片茂密的森林里，隱藏著一所不為人知的神秘學校。在學校里，生活著一群年輕的女孩們，沒有人知道她們是從哪里來的，就連她們自己也不太清楚。所有人仿佛一生下來就已經身在這閉塞的高墻之內，完全不知道外面還有著更廣闊的的世界?！ 『＿_拉（瑪麗·奈姬 Mary Nighy 飾）、埃倫娜（漢娜·泰勒-高登 Hannah Taylor-Gordon 飾）、薇拉（娜塔麗·特納 Natalia Tena 飾）和雷恩（安雅·拉希里 Anya Lahiri 飾）均是這所學校里的學生，當她們開始質疑起她們的生活和過去時，原本維系著學校內事務正常運作的條條框框都開始失去功能，兩個女生的神秘失蹤更是為此增添了不安定的因素。
從此以后
康妮·布里登,喬瓦尼·索羅菲瓦,托馬索·巴西利,巴貝蒂達·薩喬,亞歷山德羅·布雷薩內羅,Syama Rayner,安德烈亞·布魯斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco
當Claire的女兒在一次瀕死體驗后表現出越來越令人不安的行為時，她開始相信自己的女兒把邪惡的東西從另一個世界帶回來了。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster