劇情簡介
在一個比利時海岸營地，市民都希望完全自由地生活，忘記生活的義務。他們遠道而來，一部分人甚至想有一些性冒險或觸及愛的事情。他們大都喜歡看足球、拳擊或選美比賽，而對著名作家皮埃爾 梅爾坦的采訪不感興趣......
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愿者安息
里法特·桑賈爾,Emrah Altintoprak,Cansu TürediCemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.
棉花軟糖
柯賓·伯恩森,庫埃·勞倫斯,Kai Cech,Max Malas在一個與世隔絕的夏令營里，膽小又內向的12歲男孩摩根陷入了一場噩夢之中——曾經被當作傳說的一個篝火故事竟變成了現實。摩根和他新結識的朋友們必須踏上一段危險重重的旅程，并揭開隱藏在表象之下的邪惡真相。
丹下左膳：大岡越前外傳
森山未來,黑木華,每熊克哉,福士誠治,加藤諒,平祐奈,宇梶剛士,相島一之,榎木孝明,橫內正,田邊誠一,田村亮,高橋克典平侍出身、獨眼的劍豪丹下左馬之介（森山未來 飾），奉相馬家當主大膳亮（每熊克哉 飾）之命，前往江戶小野冢道場奪取傳說中的一對妖刀“乾云丸”與“坤龍丸”。他以忠義為念拼死挑戰，卻在激斗中失去了右臂。幸得通緝犯阿藤（黑木華 飾）與與吉（加藤諒 飾）相救，奇跡般地存活下來，化名“丹下左膳”重生。此后，圍繞妖刀的陰謀不斷擴大，敵人接踵而至，連町奉行大岡忠相（高橋克典 飾）也卷入其中——一場關乎忠義與命運的江戶風云由此展開。
火車司機日記
拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內勒維奇,尼娜·揚科維奇,達妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚·迪米特里耶維奇,喬萬·卡斯托夫斯基,亞歷山大·格里戈利克每個火車司機在職業生涯中會撞死20多人，這些死者通常是因為尋死、失誤、酒醉或僅僅是一不小心而喪生。伊利亞是一名即將退休的火車司機，他共撞死了28人。他19歲的養子西瑪繼承了他的工作，西瑪非常擔心自己也會撞死人，而老司機們都安慰他說，一周內就會發生，但是幾周過去后，沒有發生一起撞人事故，而這也使得他精神極度緊繃。伊利亞為了幫助他，找到了許多想要自殺的人，讓他們跳到車軌上自殺，但是最終這些人都放棄了自殺的念頭。無奈之下，伊利亞自己躺在了車軌上想用自身的死來拯救西瑪…
圣母瑪利亞
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒傳奇流行巨星Mother Mary（安妮·海瑟薇 飾）為了以完美形象回歸舞臺，找上疏遠多年的好友兼前造型師薩姆（米凱拉·科爾 飾），卻也掀開埋藏已久的傷疤。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
韓塞爾與葛雷特
千正明,陳智熙,沈恩敬,殷元在因母親染病，青年李恩洙（千正明 飾）驅車向家中趕去，但中途遭遇車禍，翻到路邊。當他從昏迷中醒來時，發現眼前站著一個有如天使般的女孩子（沈恩京 飾）。在這個名叫英姬的女孩的引導下，恩洙隨之來到了女孩位于密林深處的家。那是一幢宛如從童話書中出來的夢幻而華美的大房子，家中擺放著各種各樣精巧可愛的飾品。這里住著英姬、她的父母、哥哥萬福（殷元宰 飾）以及妹妹貞順（陳智熙 飾）。疲勞疼痛的恩洙起初并未察覺絲毫一樣，可是他很快便發現，如此美好的童話所在竟成為永遠無法逃離的樊籬…… 本片榮獲2009年葡萄牙奇幻國際電影節評委會特別獎。