在線播放
劇情簡介
苔絲狄蒙娜和她陌生的家人生活在一個孤島上:她的父親馬里奧,繼母杜爾西尼婭和她的智障妹妹保洛娃。作為島上唯一的居民,孤獨和荒涼吞噬了她所有的家庭成員。苔絲狄蒙娜試圖通過沿著海灘散步或從事自我滿足的行為來驅除自己的無聊。她經(jīng)常試圖引誘自己的父親馬里奧從事性行為。他們的日常生活被一個強壯的陌生男性的到來(乘船)打斷,他給苔絲狄蒙娜的家庭帶來了摩擦。
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吹笛人
夏洛特·霍普,朱利安·山德斯,菲利普·克里斯托弗,Alexis Rodney,Kate Nichols,皮帕·溫斯洛,Aoibhe O'Flanagan,Oliver Savell,Salomé Chandler活著
葛優(yōu),鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順暗流低語
尼娜·凱莉,亞當·迪馬科,Michèle Duquet,基娜·巴斯蒂達斯,容海峰,Ryan Turner,阿里·米倫,Marisol D'Andrea,Austin Tuason,Seled Calderon,Bianca Nugara,Jayda Woods,Sarah Beaudin,Christina Notto太空運輸
馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph告別武器
海倫·海絲,加里·庫珀,阿道夫·門吉歐,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan走心男
權相佑,文彩元導演精選
數(shù)碼寶貝大電影五:冒險者的戰(zhàn)斗
快樂的暑假開始了,啟人(津村真琴 配音)為了掃墓來到了風光秀麗的沖繩,在海邊,他和阿海(佐伯鵬 配音)一起救下了一位名為美波(三石琴乃 配音)的少女,后者遭到了數(shù)碼獸的攻擊,這些數(shù)碼獸的目標,似乎是美波所攜帶的一臺筆記本電腦,在電腦里究竟隱藏了怎樣的秘密?讓啟人感到意外的是,美波的遇險催生了數(shù)碼寶貝石獅獸(津久井教生 配音)的誕生,它的使命為何? 啟人發(fā)現(xiàn),在風靡全球的電子寵物V-Pet背后,隱藏著一個驚人的秘密,貪婪邪惡的曼法斯獸企圖通過虛擬的數(shù)碼獸摧毀人類世界,實現(xiàn)它建立數(shù)碼世界的野心。面對強大的對手,啟人和朋友們該何去何從?
安·李的遺囑
這部電影設定在18世紀的英格蘭,并“靈感來源”于真實事件,是一部關于宗教領袖安·李(Ann Lee)的“史詩寓言”,安·李是謝克教運動的創(chuàng)始人,且被她的追隨者宣稱為“女性基督”。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.