即刻觀影
劇情賞析
編輯推薦
遲來的憤怒
安東尼奧·德·拉·托雷,路易斯·卡葉赫,露絲·迪亞斯,勞爾·希門尼斯,曼諾羅·索洛,馮特·加西亞,皮拉爾·戈麥斯,艾麗西婭·魯維奧,蓋茲卡·阿達(dá)納斯,馬丁·盧納,查尼·馬丁,恩里克·德拉托雷,茵瑪·桑喬,帕科·本杰梅亞,貝爾塔·埃爾南德斯威尼斯的地平線單元中，出現(xiàn)了這樣一部電影，不扯人性，“三觀”卻正到讓人大呼過癮，這就是講述了一個干脆利落的復(fù)仇故事的西班牙電影《遲來的憤怒》。 影片講述了一個男人為了替在搶劫案中慘死的女友和變成植物人的老爸報仇，潛伏八年，甚至睡了搶劫團(tuán)伙司機(jī)的孩子他媽，只為等他出獄，威脅他，順藤摸瓜找到躲藏起來的真兇們，一個一個復(fù)仇。
邪惡護(hù)士2
蒼井空,Ricky Harun,Zidni Adam寂靜深夜，Selly（Violenzia Jeanette 飾）、Jack（Ricky Harun 飾）、Tando（Zidni Adam 飾）三名喜好刺激的青年男女駕駛機(jī)車飛馳在公路上，突然之間，Selly的機(jī)車失控，她摔倒在地，身受重傷，昏迷不醒，Jack、Tando連忙將其送往醫(yī)院。與此同時，來自日本的女孩幸子（蒼井空 飾）正準(zhǔn)備和當(dāng)?shù)氐膶?dǎo)游外出游玩，誰知卻不小心用車門夾上導(dǎo)游的手，語言本就不同的二人也慌慌張張前往醫(yī)院。不久之后，兩組人馬在這間有些陰森的醫(yī)院內(nèi)會合，隱隱約約中，一個留著長發(fā)卻看不清面容的女人不時逡巡在幸子等人的周圍?！ τ谶@幾個有些倒霉的青年來說，恐怖而又爆笑的夜晚正慢慢拉開序幕……
異形地球
Belinda Mayne,Mark Bodin,Roberto Barrese劇情大概： 一個執(zhí)行太空任務(wù)從宇宙歸來的太空艙里的船員被天外異形下了藥變成了可怕的怪物，這種異形能寄生到人體使其發(fā)生肢體變異。同時期一組洞穴探險員來到城市郊外溶洞探險，沒想到此地已經(jīng)被異形占領(lǐng)，他們只能靠本能來逃脫異形所設(shè)下的種種陷阱……（說起山寨，意大利人才應(yīng)該算是鼻祖吧，就如同這部電影標(biāo)題一般…不要對這部電影有任何企圖，他只會讓你變成撲克臉- -） 血腥度：4 片中怪物數(shù)量：？ 怪物類型：外星生物 怪物特點：寄生 怪物必殺技：變形 怪物惡心度：3
蓋爾：黃磚路
Chlo? Crump,Hassan Taj,Laura Kay BaileyDorothy, now an elderly woman haunted by her past, tries to warn her granddaughter Emily before dark forces pull her into Oz, a once familiar land now twisted by horrors.
大明嬪妃之選秀
何杜娟,關(guān)慧卿,思漩,陳一諾,王春妹,朱一龍皇太子爭選太子妃，蘭心本有所愛，卻不得不進(jìn)到太子府，因為才華出眾，深得皇太子和紀(jì)淑妃的喜愛，蘭心被嫉妒和排擠，在太子府里受盡磨難！ 其實一切陰謀都是秀女姚芊芊設(shè)計的，姚芊芊是萬貴妃的人，自己參選秀女就是為了接近太子，協(xié)助萬貴妃鏟除太子，雖然她心中也另有所愛，但不得不去爭選太子妃，鏟除一切阻礙自己當(dāng)上太子妃的秀女。 姚芊芊陷害蘭心通奸，差點害的蘭心被賜死，關(guān)鍵時刻蘭心被梅兒所救。幾日后公布太子妃人選之時，紀(jì)淑妃為了顧全大局，還是讓姚芊芊當(dāng)上了太子妃，姚芊芊十分痛苦內(nèi)心掙扎，蘭心、梅兒、金碧瑤當(dāng)上側(cè)妃，大家各懷念想……。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster