情感教育

7.4 播放:69萬 更新:2026-04-22

一個多愁善感的老女人和一個十幾歲的男朋友。他們彼此喜歡,所以她和他談?wù)撍约海撵`性,神秘主義和存在本身。他們變得形影不離,所以他嫉妒的母親面對著她。   

即刻觀影

劇情賞析

一個多愁善感的老女人和一個十幾歲的男朋友。他們彼此喜歡,所以她和他談?wù)撍约海撵`性,神秘主義和存在本身。他們變得形影不離,所以他嫉妒的母親面對著她。   

編輯推薦

劇中計

詹姆斯·巴林頓,埃里克·格恩斯,Tom Hutch

  四名劇場演員在倫敦排練即將在西區(qū)上演的復(fù)仇舞臺劇時,隨著彼此之間的秘密戀情逐漸曝光,參雜著才華嫉妒與愛恨糾葛。在一連串的陰謀與反擊中,原以為的盟友,竟私下已與旁人聯(lián)手陷害自己,這場角力最終將演變成致命的殺機(jī)。

丹鳳眼

陳虹妤,麥肯娜·格瑞絲,麥特里伊·拉瑪克里斯南,鄔君梅,阿梅莉·齊爾伯,杜方,伊蓮·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里頓·韋伯,Callie McClincy,Scott Deal,薩拉·科普金,R.基斯·哈里斯,喬納森·D·威廉斯,馬龍·托馬斯,伊麗莎白·潘,Cecelia Specht,Katy Wilson,馬克·德米特

 故事圍繞黃瓊展開,她8歲移民美國,始終難以融入周遭。渴望融入美國社會的她,癡迷于贏得“舞會皇后”頭銜,將其視作被接納的象征。當(dāng)親眼見證舞會皇后加冕 —— 那正是她向往成為的模樣時,這份執(zhí)念愈發(fā)強(qiáng)烈。為實現(xiàn)目標(biāo),瓊發(fā)現(xiàn)了一項能改變種族的新科技,借此將自己變成了白人女孩。然而,當(dāng)她改造后的面容開始衰敗,她的追求走向黑暗轉(zhuǎn)折,迫使她直面自身行為的后果。

情報2025

許成泰,趙福來

  Korea’s most intimidating actor, Heo Sung-tae (Squid Game), stars as Detective Oh Nam-hyuk—a well-meaning but spectacularly inept cop clinging to his badge by a thread. When a botched sting operation lands him in over his head, he’s forced into an unlikely partnership with Tae-bong (Jo Bok-rae), a razor-sharp informant whose cover (and savings) are blown by Nam-hyuk’s bumbling. With a smuggling ring to bust, a fortune to recover, and zero trust between them, the mismatched duo must navigate double-crosses, blown covers, spectacularly stupid raids, and bruised egos.

阿特羅皮亞

阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔

講述了一位有抱負(fù)的女演員在模擬伊拉克戰(zhàn)區(qū)的美國軍事訓(xùn)練基地工作的故事。

迷失禁區(qū)

陳明民,梁鴻,王新宇,金晨曦

...

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster