代代木忠的世界

5.9 播放:37萬 2026-04-28

自上世紀八十年代日本iV黎明期以來,代代忠推出了大量名作,如今年逾古稀的他依然活躍在這一領域。代代忠的人生可謂波瀾壯闊。他三歲喪母,因為父親忙于工作一直把他寄養在親戚家。他曾經是出名的不良少年,后來一度成了充滿希望的花道新秀,后來轉混黑道,蹲過牢房、受過綁架,中年時改弦易轍投入iV行業。?????本片聚焦于代代木忠的人生與作品,除了iV界人士的證言,還穿插了落語家笑福亭鶴瓶、漫畫家槙村憐、心理醫生和田秀樹等圈外人士的訪談,描畫出一位個性電影人真實內面與iV產業的歷史。   

在線看

同款熱播

7號房的禮物

柳承龍,樸信惠,鄭鎮榮,金正泰,吳達洙,樸元尚,鄭滿植,葛素媛

 1997年,只有6歲兒童智商的智障男子李龍久(柳成龍 飾)和可愛的女兒藝勝(葛素媛 飾)相依為命,生活雖然簡單清貧,卻充滿幸福。某天,執著為女兒買美少女戰士書包的龍久意外卷入一起幼童誘拐奸殺案,而死者竟是警察局長的女兒。龍久懵懂無知,搞不清狀況,昏頭昏腦就被投入監獄。在7號牢房中,聚集著走私犯蘇楊浩(吳達洙 飾)、詐騙犯崔春浩(樸元尚 飾)、通奸犯姜萬范(金正泰 飾)、恐嚇犯老徐(金基燦 飾)和搶劫犯申奉植(鄭萬植 飾)等五毒俱全的“社會渣滓”。龍久孩子般純潔的心漸漸感動了這幾個“大壞蛋”,他們甚至不惜冒險將藝勝帶入牢房與父親相會。黑暗冰冷的監牢內,7號牢房陽光滿滿……

霧人前傳

邁克爾·羅伯特·布蘭登,邁克爾·穆內,邁克爾·穆內

  1978年,死亡峽谷。警官戴維?麥克阿里斯特(David Stanbra 飾)將殺人如麻、殘酷血腥的霧人(Ben Gunther 飾)繩之于法,這個作惡多端的噩夢最終死在毒氣室里。  時間回到現在,警長麥克阿里斯特(Robert Pine 飾)即將退休,他的兒子哈里斯(Michael Muhney 飾)則尾隨父親當上了警察。父子二人在六角餐館用餐時,遭遇了在逃的賭場搶劫犯。雙方展開對峙,年輕氣盛的哈里斯引起大爆炸,兩名劫匪劫持餐館女招待瑪雅(Mircea Monroe 飾)逃亡。在救援部隊遲遲未到之時,戴維帶著兒子展開謹慎的追蹤。不過令雙方始料未及的是,似乎有另一個神秘、恐怖的殺手將他們玩弄于鼓掌之中。邪惡的霧人精神不死,重返人間……

恐怖回音

史蒂文·布蘭德,凱特·法蘭奇 ,比利·沃斯

  安娜·帕克(凱特·法蘭奇 Kate French 飾)是一個美麗的女作家,當下她正為新書做最后的沖刺,可是擔任出版編輯的男友保羅·瓦格納(史蒂文·布蘭德 Steve Brand 飾)卻提出了較為尖刻的修改意見。心情頗有些低落的安娜找不到靈感,創作陷入僵局。為了幫她完成工作,保羅將安娜帶到一處位于沙漠中央的別墅進行創作,不過他突然有事離開,只留下安娜和一條狗。到了夜晚,安娜驚訝地發現有一個恐怖的人逡巡在別墅附近。她嘗試著向保羅求助,然而無法得到有效回應。  2012-3-2,一組奇怪的數字,讓安娜陷入前所未有的恐懼之中。而在無盡的恐慌中,她終于發現了可怕的秘密……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

惡鬼病毒

村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀子,鳥之海凪紗,田中要次

改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》,講述YouTuber內川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調查都市傳說的視頻。幾天后,警方在村外的一條隧道附近發現了四人租用的汽車,而在現場發現的一臺攝像機則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關起來的成年人,以及在新月之夜發病的成年人......這個村子里究竟發生了什么?

瘦身男女

劉德華,鄭秀文,王天林,林雪,黑川力矢,佐膝佳次

  Mini Mo(鄭秀文飾)遭受失戀的打擊后,飲食失去控制后體重升至260磅,窈窕身材不再。她與初戀情人黑川約定在十年后的日本相見,但舊貌不再的她深感自卑。偶然相識了跟她同樣體型極胖的肥佬(劉德華飾),肥佬非常同情她,決定要幫她重塑魔鬼身材。肥佬以地獄式減肥方法鍛煉Mini,為了讓她減肥成功,得到更多的金錢讓她上專業美容院減肥,肥佬不惜在街頭被拳擊換取酬勞。令Mini感動不已。  Mini恢復原貌前去赴約,黑川向她提出求婚,可是她心中仍念念不忘為她默默付出的肥佬,盼望跟他重逢的一天。