羅曼史 媽媽的朋友

4.7 播放：78萬(wàn) 更新：2026-04-28
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

創(chuàng)圣大天使：一發(fā)逆轉(zhuǎn)篇

寺島拓篤,嘉數(shù)由美,小林沙苗,森川智之,石冢運(yùn)升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹(shù),兵藤真子,杉田智和,齋賀光希,樸璐美,風(fēng)間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇

 時(shí)長(zhǎng)半小時(shí)的短片。故事是發(fā)生在TV版中途的番外篇，突出兩位女主角的位置，并附帶“歌姬”設(shè)定……主題曲延用TV版前半部的OP（但收錄進(jìn)劇場(chǎng)版時(shí)被取消）。

刺殺小說(shuō)家2

鄧超,董子健,雷佳音,王圣迪,丁程鑫,王彥霖,鄧飛,張震,辛芷蕾,郭京飛,常遠(yuǎn)

　　陷入人生低谷的小說(shuō)家路空文（董子健 飾）被巨大的誘惑牽引，導(dǎo)致他自己和書(shū)中的角色都陷入了不可逆轉(zhuǎn)的危機(jī)。最終小說(shuō)家找回了信念，與書(shū)中人一起拯救了雙世界危機(jī)。

興登堡遇難記

喬治·C·斯科特,安妮·班克羅夫特,威廉·阿瑟東

 羅伯特.懷斯執(zhí)導(dǎo)的該部災(zāi)難片根據(jù)真實(shí)事件改編而成。故事講述一九三九年，一艘滿(mǎn)載各式人等飛往紐約的德國(guó)造興登堡飛船，在抵達(dá)紐約上空時(shí)發(fā)生爆炸，造成了歷史上的大悲劇。

我是自愿讓他殺了我

蔡淑臻,鄭人碩,薛仕凌,余晉,尹昭德,趙逸嵐,阮柏皓,蔡承邑

　　刑警周行跟女友陳凱欣求婚前夕，臨時(shí)接獲一起兇殺案通報(bào)，他循線(xiàn)趕到山區(qū)，當(dāng)場(chǎng)逮捕殺人犯李子建，發(fā)現(xiàn)死者居然是他的女友。周行強(qiáng)忍震驚與悲痛，一路追查真相，犯人貴為議長(zhǎng)獨(dú)子，在議長(zhǎng)袒護(hù)下試圖翻案，更自白對(duì)方是自願(yuàn)被殺。更讓周行意外的是，來(lái)認(rèn)女友屍體的是一群陌生家屬，她的真實(shí)身份另有其人，案情陷入膠著，女友留下的重重謎團(tuán)，讓往日深情的一切瞬間被摧毀?！　∑呤?hào)原子繼犯罪影集《追兇500 天》後，再度推出女性心理驚悚懸疑作品，由鄭人碩、蔡淑臻、薛仕凌等主演，改編自知名小說(shuō)家逢時(shí)同名原著，非典型的「幫助殺人」概念相當(dāng)吸睛，挑戰(zhàn)複雜跳接的時(shí)序劇情，翻轉(zhuǎn)犯罪線(xiàn)索的邏輯，燒腦程度直逼《緝魂》。