即刻觀影
劇情賞析
編輯推薦
致命交友軟件
Alyssa Lynch,Mitch Ainley,塔緹娜·阿里,Bethany Brown,戴博斯·霍華德,本·威爾金森,艾莉森·巴思,Matt Hamilton,Priya Margaret Kooner19歲商務(wù)專業(yè)大學(xué)生Trina目睹了自己輔導(dǎo)過(guò)的女生Jade在車庫(kù)被撞死，但警方認(rèn)為是一起意外事件。為了支付大學(xué)費(fèi)用，Trina開(kāi)發(fā)了一個(gè)獨(dú)特的約會(huì)APP軟件UPFRONT。在UPFRONT取得了巨大的成功之后，Trina無(wú)意中得知自己的APP被一些女生濫用為賣淫中心。正在Trina與朋友、導(dǎo)師商量是否需要關(guān)閉網(wǎng)站或者報(bào)警時(shí)，發(fā)現(xiàn)其中一個(gè)做應(yīng)召的女生在宿舍自殺。Trina在追查兩個(gè)女生的死因的過(guò)程中，發(fā)現(xiàn)導(dǎo)師的老公竟然是Jade的?？汀Ｔ跍?zhǔn)備和導(dǎo)師見(jiàn)面的過(guò)程中，發(fā)現(xiàn)導(dǎo)師被刺，最后的兇手竟然是瘋狂愛(ài)上Jade的院長(zhǎng)。最后在合作朋友的幫助下，將院長(zhǎng)繩之以法。
任務(wù)迷走72小時(shí)
魯克·高斯,博基姆·伍德拜因,路易·曼迪勒,馬克·可汗,萊昂納德·凱利-揚(yáng),海瑟·洛普,布魯克·紐頓,羅伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特一個(gè)手握政府機(jī)密的AWOL海軍成員正被俄國(guó)特工和一個(gè)危險(xiǎn)的殺手追緝
抖擻
馬克·沃爾伯格,保羅·沃爾特·豪澤,薩莎·拜倫·科恩,本杰明·布拉特,盧西亞諾·薩法爾,艾娃·德·多米尼奇,丹妮拉·曼希沃,莫莉·香儂,切爾茜·克里斯普,埃里克·安德烈,杰克森·托澤爾,亨利埃塔·阿梅沃爾,阿貝·法雷利,瑞恩·謝爾頓,娜塔麗·奧利維拉,提亞戈·莫拉斯,斯隆·費(fèi)希爾,詹尼·德古拉,朱麗安娜·卡斯特羅,伊恩·阿達(dá)姆森營(yíng)銷高管布拉德與伊萊賈，為拿下世界杯頂級(jí)贊助，提出了一個(gè)大膽到離譜的避孕套品牌合作提案。本以為能一戰(zhàn)成名，卻因一場(chǎng)酒后失控的丑聞，徹底淪為全民公敵。為了保住性命、全身而退，兩人被迫開(kāi)啟橫跨全球的瘋狂逃亡，在體育營(yíng)銷界的亂象中，用更瘋狂的操作，躲過(guò)接踵而至的麻煩與追殺。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
再會(huì)亡靈
雷娜特·賴因斯夫,安德斯·丹尼爾森·李,巴哈·帕斯,比約恩·桑德奎斯特,揚(yáng)·海恩凱維奇,本特·博瑟姆,Denise Trankalis,Olga Damani,Inesa Dauksta,Kian Hansen在一個(gè)異常炎熱的日子里，三個(gè)不同的家庭發(fā)現(xiàn)了一個(gè)奇怪的秘密——他們剛剛死去的親人又回來(lái)了。他們不知道該怎么辦——這些不是毫無(wú)意識(shí)的僵尸，而是完全不同的東西。但究竟是什么呢？
大明嬪妃之逐鹿
宋洋,何杜娟,朱一龍,陳一諾,王藝曈,王春妹處死朱由樺的當(dāng)天，朱由樺離奇失蹤，梅兒和蘭心都因此受到責(zé)罰。蘭心不顧太子反對(duì)，執(zhí)意要將朱由樺送還給三皇子，卻發(fā)現(xiàn)馬車上的孩子竟然不翼而飛。蘭心和太子感情出現(xiàn)嫌隙，梅兒和金碧瑤使出渾身解數(shù)爭(zhēng)得太子寵愛(ài)。太子和萬(wàn)歷等人到郊外狩獵，有人暗殺太子，梅兒為太子擋下一箭，生命垂危，太子深受感動(dòng)，認(rèn)為欠梅兒太多。上官鴻業(yè)調(diào)查太子行刺事件，卻發(fā)現(xiàn)幕后的真兇并不是眾人猜想的三皇子，而是梅兒。梅兒冊(cè)封當(dāng)天，鄭貴妃揭出了梅兒乃娼妓之女的秘密，讓梅兒不能受封。鄭貴妃趁勢(shì)發(fā)動(dòng)自己的親信彈劾上官鴻業(yè)，蘭心救父心切，卻誤會(huì)太子，兩人再次不歡而散。失蹤多日的朱由樺突然出現(xiàn)在蘭心房中，將朱由樺放入籃子中帶入宮去，卻被梅兒換成了旋兒，蘭心帶“朱由樺，”進(jìn)宮，巧遇為上官鴻業(yè)來(lái)求情的太子，太子再次產(chǎn)生了誤會(huì)。在王恭妃和鄭貴妃的逼迫下，太子提劍殺死了璇兒 ，等知道時(shí)璇兒已經(jīng)沒(méi)有了呼吸。蘭心傷心欲絕。蘭心帶幸存的朱由樺離去，太子策馬追去，卻尋不見(jiàn)蹤影了。皇上以太子妃一位不可久缺為由，冊(cè)封大學(xué)士王中澤之女王氏為太子妃。