這就是我

7.3 播放:44萬 2026-04-24

以親密、奇幻和敘事驅動的方式呈現了詹妮弗·洛佩茲在音樂和視覺交織的沉浸式世界中的自我療愈之旅。

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腐壞之巫

阿麗亞娜·德博斯,馬爾頓·索克斯,芭比·費雷拉,阿瑪拉·卡蘭,阿里安·穆阿耶德,桑婭·奧爾森蘭,杰瑞米·惠勒,朵卡·格萊拉斯,米克爾·布拉特·西爾塞特,加布里埃爾·德雷克,伊莫拉·加斯帕爾,加博爾·納吉帕爾,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德魯·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan

  一名廚師終于開了自己的高檔餐廳,但地址選在了鄉野傳說中女巫住過的“鬼屋”,可怕的事情發生:食物里有蟲子爬出,血腥事件來臨……

與世隔絕

Davina Reeves,Maria Abramova

Four friends wanted to get away from it all for a birthday celebration in a remote country house, but when a mysterious injured man turns up on their doorstep telling tales of a city ravaged by a mysterious epidemic and the looters who have pursued him, the friends rally to help. As the night progresses, it becomes clear that all is not as it seems, plunging the friends into a battle for survival that challenges their deepest fears.

箱男

永瀨正敏,淺野忠信,佐藤浩市,白本彩奈,澀川清彥,中村優子,川瀨陽太

 這部1973年的小說由安部公房創作,講述了一位無名男子放棄自己的身份,頭頂一個大紙箱生活的故事。在東京街頭游蕩時,他遇到了各種各樣的人物。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

鬼馬智多星

林子祥,麥嘉,泰迪·羅賓,姚煒,曹達華,岑建勛,曾志偉

  30年代的香港,社局動蕩,黑幫林立。香港大亨胡老頭這日找到私家偵探哎吆(林子祥 飾),要求其調查胡太太,因為他覺得胡太太這些天表現奇怪。哎吆調查后發現,原來是壞蛋神父卡邦派(麥嘉 飾)人勾搭上了胡太,意欲偷取胡老頭價值連城的股票。他們這一計劃遭哎吆撞破后,四處追殺哎吆。  哎吆亡命之際,又發現了胡老頭其實并非什么香港大亨,只是一名老千,他來香港的目的就是要騙卡邦等流氓的錢。胡老頭邀請哎吆入伙,一起設局騙卡邦。和好友探長羅賓(泰迪?羅賓 飾)商量后,哎吆決定來個將計就計。

暗泳

懷亞特·拉塞爾,凱瑞·康頓,艾米麗·霍菲爾,加文·沃倫,南希·利內翰,本·辛克萊爾,喬迪·朗,埃迪·馬丁內斯,普雷斯頓·加利,埃莉·阿萊扎,艾萬·烏塔帕,埃莉諾·T·斯雷特,以利亞·J·羅伯茨

  “不準奔跑、不準跳水,天黑以后沒有救生員值勤,不準游泳。”  影片根據2014年拍攝的同名短片改編,內心深處希望能夠戰勝病魔,再度回歸美國職棒大聯盟打球的雷(懷亞特·拉塞爾 Wyatt Russell 飾)和他的太太伊芙(凱瑞·康頓 Kerry Condon 飾)搬進新家,后院的游泳池不僅讓孩子們玩得開心,也能夠讓他進行物理治療,然而這棟房子陰暗神秘的過去即將釋放一股邪惡力量,把這一家人拉進無法逃脫的恐怖深淵。