影片推薦
異形侵襲
Ian McCulloch,Louise Marleau,Marino Masé飛行家2025
蔣奇明,李雪琴,董寶石,姜武,楊玏,蔣易,雷佳音,董子健,王彥霖,歐劍宇,英澤,鄭昊森,周鐵男,鵬飛,韓秀一,周小川,郝奕鳴,趙海濤,鞠可兒,劉亦淳柏蒂娜的苦淚
瑪吉特·卡斯滕森,漢娜·許古拉,卡特琳·沙克,埃娃·馬特斯,吉塞拉·法克爾代,伊爾姆·赫爾曼不被愛也沒關系
南沙良,馬場富美加,本田望結,基俊介,河井青葉,伊島空,池津祥子國寶2025
吉澤亮,橫濱流星,渡邊謙,高畑充希,寺島忍,田中泯,森七菜,見上愛,永瀨正敏,黑川想矢,三浦貴大犯罪讀者俱樂部
Veki Velilla,Iván Pellicer,阿爾瓦羅·梅爾,卡洛斯·阿爾凱德,瑪麗亞·賽爾祖埃拉,普利西婭·戴爾加多,丹尼爾·格勞,Carmela Lloret,Ane Rot,Hamza Zaidi同類精選
少女椿
中村里砂,風間俊介,森野美咲,武瑠,佐伯大地,深水元基,中谷彰宏,鳥居美雪,鳥肌實星河戰(zhàn)隊3：掠奪者
卡斯帕·范·迪恩,喬琳納·布拉洛克,斯蒂芬·霍根,波瑞斯·科喬,阿曼達·多諾休,瑪內特·帕特森,斯特里奧·薩萬特,坦婭·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法爾考,史蒂芬·詹寧斯,Rob Vega,格蘭特·斯旺比,Damon Berry,喬·瓦茲,卡爾·桑寧,蒂龍·基奧,凱文·奧托,勞倫·麥格雷,Tarryn Page,邦戈·姆布圖馬,科里·伯頓,凱瑟琳·奧克森伯格得墨忒耳號的最后航程
科里·霍金斯,艾斯琳·弗蘭喬茜,利亞姆·坎寧安,大衛(wèi)·達斯馬齊連,克里斯·瓦利,喬恩·瓊·布里恩斯,斯蒂芬·卡皮契奇,馬丁·弗魯倫德,尼古拉·尼克拉斐,伍迪·諾曼,哈維爾·博泰特,格雷厄姆·特納,安迪·穆雷,尼科洛·帕塞蒂,克里斯托弗·約克,努爾丁·法拉西,亞當·肖,杰克·多格特,莎莉·里夫黑色城堡
Evgeniy Shvarts,維羅妮卡·烏斯蒂莫娃,葉夫根尼·斯迪查金,琳達·拉賓什,阿納斯塔西婭·克拉索夫斯卡婭,Aleksandr Girenok觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘金錢怪獸
喬治·克魯尼,朱莉婭·羅伯茨,杰克·奧康奈爾,多米尼克·韋斯特,凱特瑞娜·巴爾夫,吉安卡羅·埃斯波西托,丹尼斯·布特斯卡里斯,約瑟夫·D·雷特曼,達瑞·因戈爾夫松,克里斯托弗·鄧漢,安東尼·德·桑多,萊尼·維尼托影視排行
鐵甲無敵瑪利亞
梁朝偉,葉倩文,徐克,林正英,岑建勛,陳國新,林國斌,秦沛太陽黨是一個恐怖組織，其首領救世主（林國斌 飾）善于開發(fā)戰(zhàn)爭機器人，他和女友瑪利亞（葉倩文 飾）經常利用自己開發(fā)的機器人“先鋒一號”大肆破壞。由于“先鋒一號”威力強大，警方也常常束手無策。小徐原是英雄黨的一分子，后來對自己團伙的所作所為深感不滿而在師傅的擔保下脫離了該組織。一次小徐在酒吧偶遇了專為警方開發(fā)戰(zhàn)爭機器人的專家阿毛（岑建勛 飾），兩人一見如故，成為了好朋友。豈料太陽黨因此懷疑小徐出賣了自己，因此派出新研制的機器人——外形和瑪利亞一模一樣的“先鋒二號”追殺小徐；更糟糕的是，警方亦因此懷疑阿毛出賣了政府，因而同時派人前來捉捕他們。一對好兄弟，能否逃出生天？
愛的證明2025
艾拉·朗夫,莫妮亞·喬柯里,諾埃米·洛夫斯基,埃米·朱爾茲科,朱利安·加斯帕-奧利維里,珍妮·亨利,奧德·佩潘,菲利普·佩特,安娜·勒尼,艾米莉·布里沙文,哈姆·格雷亞,湯姆·哈拉里,伊娃·霍爾特,保利娜·貝爾,費利克斯·基賽勒,哈姆扎·梅茲亞尼,愛德華·蘇皮斯,梅洛迪·波寧,羅安妮·塞古倫,瑪麗安妮·杜布特2014年的法國迎來同性婚姻合法化。當妻子腹中孕育著新生命時，塞琳娜一邊為爭取收養(yǎng)資格收集證明材料，一邊直面內心對母職的認知沖突。
基佬四十
林子祥,陳小春,吳鎮(zhèn)宇,伍詠薇,林建明,毛俊輝,舒淇,楊恭如,張堅庭,張同祖,袁詠儀家聲（林子祥 飾）已經四十六歲了，至今仍未成家。他青梅竹馬女友麗泉（伍詠薇 飾），要求與他之間做個了斷。兩人多年來沒有結果是因為家聲是一名同性戀者。而家聲是有一名男朋友Sonny（陳小春 飾）的，但Sonny十分享受花花世界給他帶來的虛榮，這樣便使得家聲覺得十分沒有安全感，卻又對Sonny的感情越來越深。 家聲一名同性戀好友永烈因艾滋病死去了，家聲勸止永烈的男友（吳鎮(zhèn)宇 飾）不要出現(xiàn)在喪禮上，卻被Sonny從中搗亂，家聲也因此與Sonny分手了。 但家聲復雜的感情世界并沒有因為這樣得到解決……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.