劇情縱覽
一個主要亂論電影;Gli sfiorati的,在英文字符也被稱為青,是隕石。他是30 yeras老筆跡學家,陶醉的秘密,可以揭示人類的手。父親的婚禮前一個星期,他的17歲的同母異父移動到他的羅馬公寓。她是非常性感火辣的小將,現在的新式里弄開始他們的友好關系(當然,不完全型)。
一個主要亂論電影;Gli sfiorati的,在英文字符也被稱為青,是隕石。他是30 yeras老筆跡學家,陶醉的秘密,可以揭示人類的手。父親的婚禮前一個星期,他的17歲的同母異父移動到他的羅馬公寓。她是非常性感火辣的小將,現在的新式里弄開始他們的友好關系(當然,不完全型)。
單純善良的女主人公(陳夢曦)踏入了渴望已久的美麗高中校園。霸道頑皮的男主人公(陸晨)對陳夢曦一見鐘情,因為李子軒是陳夢曦的同桌,而且他與陳夢曦、梁燕形影不離,所以陸晨對李子軒有意見。陸晨與他朋友們經常整蠱欺負李子軒,一次在操場上陸晨和他朋友一起把李子軒給揍了。善良樂于助人的陳夢曦與梁燕知道后,決定幫助他們化解矛盾,通過接觸與了解,陸晨與李子軒及陳夢曦、梁燕之間的友誼逐漸形成。一天晚上,梁燕去參加朋友的生日晚會后,被人綁架了,陸晨與陳夢曦、李子軒及他的幾個朋友拿錢去解救梁燕,他們與劫匪打了起來,他們全部被劫匪打倒,關鍵時刻,班主任帶保安隊長來到,經過一番激烈搏斗,最終保安隊長制服了劫匪。
寧靜的山村進入雨季。村中的老伐木工人岸克彥(役所廣司 飾)為人古板,與兒子關系緊張。他在上工途中給東京來的新人導演田邊幸一(小栗旬 飾)和副導演帶路,由此被拉入一部喪尸電影的外景拍攝。在被迫充當臨時演員后,克彥竟對電影產生了微妙的興趣,他開始不請自來的幫助攝制組與村民溝通,開展工作,甚至忽略了本職與妻子的忌日。 突然闖入的攝制組擾亂了山村的平靜和克彥的生活,也改變了導演幸一自身。幸一生性靦腆缺乏自信,在攝制組中毫無威信。偶然間他發現自己的喪尸劇本竟為克彥所欣賞,不禁大受鼓舞,兩人在數次的泡澡時間里進行了奇妙的溝通。在克彥的幫助下,幸一慢慢樹立了自信,電影拍攝也步入正軌。然而臨關機前的一場瓢潑大雨再次令拍攝陷入危機,克彥的缺席也令幸一惶恐無措起來…… 影片獲第24屆東京國際電影節評委會大獎。片中兩位主演役所廣司和小栗旬在現實中亦均擔任過導演。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
許久不見的克里斯提安(43歲)與吉奧(45歲),終於在他們父親的葬禮上重逢。個性截然不同的兄弟難得聚在一起,在守靈夜酒酣耳熱之際,臨時起意決定去實現小時候的夢想-騎著電動自行車進行一趟從黑森林到波羅的海、橫越整片德國的冒險旅程。在這段時速最高僅25公里的漫活旅程中,兩人經歷了許多意想不到的遭遇,也重新認識了彼此,甚至改變了他們往後的人生。