安娜的情人
主人翁安娜已是第二次結(jié)婚,今次其丈夫?yàn)镕osco。Fosco因偷運(yùn)文物入獄,意外地安娜戀上兒子Livio,并尋回年輕時(shí)戀愛的旖旎感覺。Fosco出獄后驚覺此事,以武力奪回安娜的肉體
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劇情簡(jiǎn)介
主人翁安娜已是第二次結(jié)婚,今次其丈夫?yàn)镕osco。Fosco因偷運(yùn)文物入獄,意外地安娜戀上兒子Livio,并尋回年輕時(shí)戀愛的旖旎感覺。Fosco出獄后驚覺此事,以武力奪回安娜的肉體
同類好片
榮歸1978
簡(jiǎn)·方達(dá),喬恩·沃伊特,布魯斯·鄧恩,佩內(nèi)洛普·米爾福,羅伯特·卡拉丁,羅伯特·金蒂,凱瑟琳·米勒男孩、鼴鼠、狐貍和馬
湯姆·霍蘭德爾,伊德瑞斯·艾爾巴,加布里埃爾·伯恩,裘德·科沃德·尼科爾真實(shí)的謊言
阿諾·施瓦辛格,杰米·李·柯蒂斯,湯姆·阿諾德,比爾·帕克斯頓,蒂亞·卡雷爾,阿特·馬里克,艾麗莎·杜什庫(kù),格蘭特·赫斯洛夫,查爾頓·赫斯頓,馬紹爾·曼尼什,詹姆斯·艾倫,迪特爾·勞特爾,簡(jiǎn)·莫里斯,卡齊·查普爾,克麗絲蒂娜·懷勒,奧弗·薩姆拉妖星哥拉斯
池部良,白川由美,久保明,水野久美,平田昭彥分享鎮(zhèn)
達(dá)科塔·約翰遜,阿德里婭·阿霍納,凱爾·馬文,邁克爾·安蓋洛·科維諾,西蒙·韋伯斯特,查理·吉爾萊斯皮爾,大衛(wèi)·卡斯塔尼達(dá),O·T·法格本,娜赫瑪·里琪,蒂龍·本斯金,尼可拉斯·博朗,萊奧·亨尼利,羅賓·吉倫,利蒂希婭·布魯克斯,泰勒·豪爾,艾米麗·歐康納,盧克·麥克菲爾,讓-克勞德·莫萊斯,賈·旁,杰西卡·馬圖琳,斯蒂芬·阿德科魯,尼古拉斯·波舍爾治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希導(dǎo)演精選
女人們的談話
來自與世隔絕的宗教社區(qū)的婦女們努力使她們的現(xiàn)實(shí)與她們的信仰相協(xié)調(diào)。通過背景故事,我們看到一個(gè)婦女社區(qū)聚集在一起,研究如何共同前進(jìn),為她們自己和她們的孩子建立一個(gè)更美好的世界。要么留下來戰(zhàn)斗,要么離開。她們不會(huì)什么都不做。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
草莓月亮
本片改編自同名小說。櫻井萌(當(dāng)真亞美 飾)從小體弱多病,無法上學(xué),也沒有朋友,每天獨(dú)自度過時(shí)光。她一直有一個(gè)小小的夢(mèng)想——在自己生日那天,與喜歡的人一起觀賞據(jù)說能讓戀人永遠(yuǎn)相守的六月滿月“草莓月亮”。然而,15歲那年冬天,她被告知生命所剩無幾。 從醫(yī)院回家的路上,萌邂逅了命中注定的人,并下定決心進(jìn)入高中就讀。入學(xué)典禮當(dāng)天,她在初次見面的情況下,向同班同學(xué)佐藤日向(齋藤潤(rùn) 飾)突然告白,人生第一次戀愛就此開始。終于到了共賞草莓月亮的那一天,但從那天起,萌突然從學(xué)校消失,日向再也無法聯(lián)系上她。而萌離開的真相,以及13年后傳來的秘密究竟是什么…