姐妹情室

諾查丹瑪斯滅亡錄?基因的新世紀(jì)

芭比真人版

 在夢幻浪漫的芭比樂園里，美麗自信的芭比們每日過著快樂無憂的生活，她們活躍在每一個工作崗位，肯是點綴，女孩的聚會才至關(guān)重要。直到某一天，我們的主角芭比（瑪格特·羅比 Margot Robbie 飾）突然提到了生死，她的完美生活毫無征兆發(fā)生改變。她的口氣不再清新，面容開始猶豫憔悴，也無法輕盈地從頂樓飄落下來。經(jīng)前輩點播，她意識到人類世界某個人和她建立著聯(lián)系，而那個人的心境似乎正投射到芭比的身上來。為了找回曾經(jīng)的完美生活，芭比和肯（瑞恩·高斯林 Ryan Gosling 飾）輾轉(zhuǎn)來到現(xiàn)實世界，并經(jīng)過一番波折見到了葛洛莉婭（亞美莉卡·費雷拉 America Ferrera 飾）母女，而肯也在見識到男權(quán)社會的魅力之后，心中升起要改變芭比樂園的念頭……

安吉的治療

　　十年前，一位在派對上被強奸的年輕女子，飽受創(chuàng)傷，抓住難得的機會，向施暴者反擊。然而，復(fù)仇的甜蜜滋味，卻讓她變成了多年來一直恐懼的那個怪物。這段驚險刺激的旅程將讓你緊張不安，模糊是非對錯的界限。隨著權(quán)力格局的不斷變化，安吉的治愈之路也引出了一個問題：“為了擺脫創(chuàng)傷，你愿意付出多少？”

皆為好事

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.