親吻室：唇間

 お父さん世代が子どもの頃に熱中した遊び＜ベーゴマ＞がより複雑に進化し、エンタテインメント性とバトル性をアップさせた新世代ベーゴマ＜ベイブレード＞をフィーチャーした人気ＴＶアニメ「爆転シュート　ベイブレード」の劇場版。ベイブレード日本一に輝いたタカオの前に新たなチャレンジャーが出現(xiàn)、壯絶なバトルが展開する。ベイブレード日本選手権大會に參加したタカオとドラグーンは仲間たちの聲援を受け、激闘の末見事日本一に輝いた。しかし、喜びの表彰式の最中に新たなチャレンジャーが現(xiàn)われタカオに挑戦を申し込む。チャレンジャーの名は皇大地（すめらぎだいち）。彼は“ガイアドラグーン”を手に日本一の座を賭けタカオに挑む。ドラグーンｖｓガイアドラグーン。２つのベイがスタジアムで激しく火花を散らし、ぶつかり合う。だが、その戦いが、遠い昔に封印された闇の力を古代遺跡から呼び覚す引き金となってしまう。平和な街に悪夢の力が襲い掛かる……。

　　Check out the trailer for The Beast Within, an upcoming movie starring Kit Harington, Ashleigh Cummings, James Cosmo, and Caoilinn Springall.　　After a series of strange events leads her to question her family’s isolated life on a fortified compound deep in the English wilds, 10-year-old Willow follows her parents on one of their secret late-night treks to the heart of the ancient forest. But upon witnessing her father undergo a terrible transformation, she too becomes ensnared by the dark ancestral secret they’ve tried so desperately to conceal.　　The Beast Within is produced by Merlin Merton, Martin Owen, Ryan Hamilton, Karl Hall, Sebastian Street, Alex Chang, Jack Christian, Evan Ross, Jordan Wagner, and Ying Ye. It is written by Greer Taylor Ellison and Alexander J. Farrell.　　The Beast Within, directed by Alexander J. Farrell, opens in theaters nationwide on July 26, 2024.

　　A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster