致命曝光

浴血蔣家河口

蔣家河口戰(zhàn)役打響了新四軍抗戰(zhàn)的第一槍，也是新四軍挺進敵后打伏擊的第一仗。此役以少克眾，以弱勝強，孤軍深入，出奇制勝，給了囂張跋扈、不可一世的日本侵略者一個結(jié)結(jié)實實的下馬威，極大地鼓舞了中國軍民的抗戰(zhàn)斗

窺鏡

　　尼古拉斯·凱奇出演獨立制作驚悚片《窺鏡》(Looking Glass，暫譯)。導(dǎo)演為曾拍攝多部MV及廣告的多里·奧斯科維茲，編劇杰里·萊普、馬修·懷爾德。一對夫婦在經(jīng)歷生活傷痛后買下了荒郊僻壤一處汽車旅館，他們此舉是為了探秘旅館一個房間內(nèi)發(fā)生的一系列無法解釋的怪事。影片今秋開機。

雙雄出擊

東南亞M國，臥底警員昂基潛伏毒窩查“藍色天堂”配方，遇退伍特種兵哥登。哥登妻子慘喪毒梟坤沙之手、兒子被擄。二人因正義與復(fù)仇聯(lián)手，闖毒巢、救被拐兒童、斗黑警與毒販，歷經(jīng)生死終將坤沙團伙擊潰。緝毒信念不滅，兄弟情義滾燙，盡顯邪不壓正的正義力量。

貝爾法斯特

 凱特瑞娜·巴爾夫、朱迪·丹奇、杰米·多南、塞倫·希德和新人裘德·希爾主演，講述1960年代末動蕩時期，一個在貝爾法斯特長大的男孩的故事。多南和巴爾夫飾演一對富有魅力的工薪階層夫婦，他們陷入了混亂局勢中，丹奇和希德飾演詼諧活潑的祖父母。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

1863起義者